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2026.3.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ă̕⑫‚Å‚·B

@‡@X1038–@ú‰ŒP“¹@‰p‘—ì‰Æ”œäÚ•êFAVELL L. MORTIMER’˜ ‰p‘z“¹Œö‰ï‹`–±‹³Žm˜êŽmGEORGE PIERCY–ó@LB1862–{
@[仉Ø10B-340]gPEEP OF DAYh

@‡AX3152–@ŒPŽ™^Œ¾@i‰pj”œäÚ•êFAVELL L. MORTIMER’˜ i”üj‰ÔŽT’ºS. HOLMESŒû–ó Žü•¶Œ¹•Mq@ãŠCE”ü‰Ø‘ŠÙ1867“ñŽŸdèb^1874^1882
@[仉Ø10B-346]gPEEP OF DAYh1836

@‡BZ0782b–@³“¹Œ[–Ö@i‰pjFAVELL L. MORTIMER’˜ HARTWELL. C. –ó@•ŸBEé“à‘¾•½ŠX•Ÿ‰¹“°1871^1874
@[’M–{‚c]“¯Ž¡\i1871j”N[Žq–QC114]HARTWELL, C. –ógPEEP OF DAYhA1871^1874

@©’F’Ps–{‚Ì1—áBFAVELL LEE MORTIMERgTHE PEEP OF DAY: OR, A SERIES OF THE EARLIEST RELIGIOUS INSTRUCTION THE INFANT MIND IS CAPABLE OF RECEIVING, WITH VERSES ILLUSTRATIVE OF THE SUBJECTShNEW-YORK: JOHN S. TAYLOR & CO., 1845



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2026.3.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X0954–@¬ŒöŽå iŠw“°¬àj@•à“Þ“Á’˜ i”üj—ºŠyŒŽ–óˆÓ ŽüûK˜N‰‰˜b@ãŠCELŠw‰ï1914
@FRANCES ELIZA HODGSON BURNETTgSARA CREWEh1888

@©’FFRANCES HODGSON BURNETTgSARA CREWE, OR WHAT HAPPENED AT MISS MINCHIN'ShNEW YORK: CHARLES SCRIBNER'S SONS. 1888



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2026.3.10
@Š¿–ó‚ÌŒ´ì‚ÉŠÖ˜A‚·‚é•â‘«‚Å‚·B

@X0086–@¼“z—Ñ›P¬“` iŒ¾î¬àj@i‰pjˆÀ“Œ“ò‰ê”—’˜ —Ñ紓Aé°ˆÕ“¯–ó@¤–±ˆó‘ŠÙ é“1.7(1909) V–ó
@ANTHONY HOPE(ANTHONY HOPE HAWKINS)gA MAN OF MARKh1890[‘×—ˆ072]

@©’Fo”ŎЂÌ1—áBLONDON: REMINGTON & CO PUBLISHERS, 1890



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2026.3.9
@Š¿–ó‚ÌŒ´ì‚ÉŠÖ˜A‚·‚é•â‘«‚Å‚·B

@X0069–@¼—˜ˆŸŒSŽå•Ê“` iŒ¾î¬àj 2Šª ã‰ºŠª@i‰pj”nŽx–Г¿’˜ —Ñ紓Aé°ˆÕ–ó@ãŠCE¤–±ˆó‘ŠÙ •è\8.14(1908.9.9)^1915.10.9ŽO”Å à•”‘p‘2=18
@ARTHUR W. MARCHMONTgFOR LOVE OR CROWNh1901[‘×—ˆ049]

@©’Fo”ŎЂÌ1—áBNEW YORK: B. W. DODGE & COMPANY, 1901



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2026.3.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X0056–@Šóäc_˜b@i_‰ö¬àj@i‰pj”b“¿•¶’˜@¤–±ˆó‘ŠÙ•Ò–óŠ–ó@ãŠCE¤–±ˆó‘ŠÙ@’š–¢6(1907)^1914.4Ä”Å@à•”‘p‘1=69
@JAMES BALDWINgOLD GREEK STORIES"(ªŠÝ@ˆê˜Y)

@©’FˆÈ‰º‚Í×–Ú‚Å‚·B
ŠJ’[‘æˆê JUPITER AND HIS MIGHTY COMPANYA
‹à¢‘æ“ñ THE GOLDEN AGEA
Œ´‰Î‘æŽO THE STORY OF PROMETHEUS. I. HOW FIRE WAS GIVEN TO MENA
‰Ð¢‘æŽl THE STORY OF PROMETHEUS. II. HOW DISEASES AND CARES CAME AMONG MENA
’v”±‘æŒÜ THE STORY OF PROMETHEUS. III. HOW THE FRIEND OF MEN WAS PUNISHEDA
ƒ…‘æ˜Z THE FLOODA
•Ï‹‘掵 THE STORY OF IOA
ܣDԾӻ THE WONDERFUL WEAVER. I. THE WARPAII. THE WOOFA
Šw¶‘æ‹ã THE LORD OF THE SILVER BOW. I. DELOSA
’†‰›‘æ\ THE LORD OF THE SILVER BOW. II. DELPHIA
‰»Ž÷‘æ\ˆê THE LORD OF THE SILVER BOW. III. DAPHNEA
謊•ñ‘æ\“ñ THE LORD OF THE SILVER BOW. IV. DELUDEDA
•œ‹w‘æ\ŽO THE LORD OF THE SILVER BOW. V. DISGRACEDA
–q“z‘æ\Žl ADMETUS AND ALCESTIS. I. THE SLAVEA
‰íŽÔ‘æ\ŒÜ ADMETUS AND ALCESTIS. II. THE CHARIOTA
ŠÒ°‘æ\˜Z ADMETUS AND ALCESTIS. III. THE SHADOW LEADERA
–K–…‘æ\޵ CADMUS AND EUROPA. I. THE BULLA
æ’m‘æ\”ª CADMUS AND EUROPA. II. THE PYTHIAA
“j—´‘æ\‹ã CADMUS AND EUROPA. III. THE DRAGONA
蓺l‘æ“ñ\ CADMUS AND EUROPA. IV. THE CITYA
•‚ŠC‘æ“ñ\ˆê THE QUEST OF MEDUSA'S HEAD. I. THE WOODEN CHESTA
ŽŽ—𑿓ñ\“ñ THE QUEST OF MEDUSA'S HEAD. II. THE MAGIC SLIPPERSA
—v‹²‘æ“ñ\ŽO THE QUEST OF MEDUSA'S HEAD. III. THE GRAY SISTERSA
“ÙŒ`‘æ“ñ\Žl THE QUEST OF MEDUSA'S HEAD. IV. THE WESTERN MAIDENSA
éd—d‘æ“ñ\ŒÜ THE QUEST OF MEDUSA'S HEAD. V. THE DREADFUL GORGONSA
ŠCb‘æ“ñ\˜Z THE QUEST OF MEDUSA'S HEAD. VI. THE GREAT SEA BEASTA
‹~•ê‘æ“ñ\޵ THE QUEST OF MEDUSA'S HEAD. VII. THE TIMELY RESCUEA
ΑՠԾҖ\ӻ THE QUEST OF MEDUSA'S HEAD. VIII. THE DEADLY QUOITA
ŒF•ê‘æ“ñ\‹ã THE STORY OF ATALANTA. I. THE BEAR ON THE MOUNTAINA
èk’Y‘æŽO\ THE STORY OF ATALANTA. II. THE BRAND ON THE HEARTHA
彘梑æŽO\ˆê THE STORY OF ATALANTA. III. THE GIFTS ON THE ALTARSA
àØè‚‘æŽO\“ñ THE STORY OF ATALANTA. IV. THE HUNT IN THE FORESTA
‹à‰Ê‘æŽO\ŽO THE STORY OF ATALANTA. V. THE RACE FOR A WIFEA
ŠJ‰»‘æŽO\Žl THE HORSE AND THE OLIVE. I. FINDING A KINGA
žëŸS‘æŽO\ŒÜ THE HORSE AND THE OLIVE. II. CHOOSING A NAMEA
•Êú‘æŽO\˜Z THE ADVENTURES OF THESEUS. I. ÆGEUS AND ÆTHRAA
ˆá•ê‘æŽO\޵ THE ADVENTURES OF THESEUS. II. SWORD AND SANDALSA
Œ€“‘æŽO\”ª THE ADVENTURES OF THESEUS. III. ROUGH ROADS AND ROBBERSA
Šp—Í‘æŽO\‹ã THE ADVENTURES OF THESEUS. IV. WRESTLER AND WRONG-DOERA
“S଑æŽl\ THE ADVENTURES OF THESEUS. V. PROCRUSTES THE PITILESSA
’©•ƒ‘æŽl\ˆê THE ADVENTURES OF THESEUS. VI. HONOR AND HOMEA
ŽE–ÑæŽl\“ñ THE WONDERFUL ARTISAN. I. PERDIXA
‹Ž‘‘æŽl\ŽO THE WONDERFUL ARTISAN. II. MINOSA
”ò“Ù‘æŽl\Žl THE WONDERFUL ARTISAN. III. ICARUSA
–âß‘æŽl\ŒÜ THE CRUEL TRIBUTE. I. THE TREATYA
“üv‘æŽl\˜Z THE CRUEL TRIBUTE. II. THE TRIBUTEA
æn‰ö‘æŽl\޵ THE CRUEL TRIBUTE. III. THE PRINCESSA
•”¿‘æŽl\”ª THE CRUEL TRIBUTE. IV. THE LABYRINTH.



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2026.3.7
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@W0340–@–ÏŒ¾–Ï’®@i‰pj”üX’˜@—Ñ紓A’‰Ɨٓ¯–ó@w¬àŒŽ•ñx10Šª3-12†@1919.3.25-12.25
@[’£Ž¡B]EUGENE MASONgAUCASSIN & NICOLETTE AND OTHER MEDIAEVAL ROMANCES AND LEGENDS"B

@©’F”Å–{‚Ì1—áBEUGENE MASONgAUCASSIN & NICOLETTE AND OTHER MEDIAEVAL ROMANCES AND LEGENDS TRANSLATED FROM THE FRENCH BY EUGENE MASONhLONDON: J. M. DENT & SONS LTD., NEW YORK: E. P. DUTTON & CO., [1910], 1912



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2026.3.6
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚Æ’ù³‚ЂƂÂB

@T0055–@‘×’JŽ™¬à@i‰pŠ¿‡àøj@‘æ1S@ãû@iˆój‘×’JŽ™’˜@‰¤–õ–ó@ãŠCE‘דŒ}‘‹Ç1920.10
@RABINDRANATH TAGOREgTHE POSTMASTER AND OTHER STORIES"©•\ކ‚Ì•\ަ

@©’F’Ps–{‚Ì1—áBSIR RABINDRANATH TAGORE ìAVARIOUS WRITERS ‰p–ógMASHI AND OTHER STORIEShLONDON: MACMILLAN AND CO., LIMITED, 1918

@Y0696–ˆê•SŒÜ\ŽOΔV’·•a‘åå i—ðŽj¬àj@i‰pj“RXŽiÏÏŒ´’˜ ŽéŽ÷l–ó@w¬àŒŽ•ñx2”N—ÕŽžúЧ é“3.‰[6.25(1911.8.19)
@CHARLES DICKENSgDOMBEY AND SONh1848 ‘æ41Í©Œë‚è‚Å‚·B

@©’Fu‰p“RXŽiŒ´’˜v‚Æ‹LÚ‚³‚ê‚Ä‚¢‚Ü‚·B‚µ‚©‚µƒfƒBƒPƒ“ƒY‚ł͂Ȃ³‚»‚¤‚Å‚·B



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2026.3.5
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2717–@‘hŠi—–“Æ—§‹L 1-2û@’Âƒàø–ó i“ŒŠCŠo‰äi™”OŽœjŽŒj ¬à—Ñ‘•Ò–óŠ•ÒS@ãŠCE¬à—ÑŽÐ 1906.7‘æ1û 1908.5‘æ2û ¬à—Ñi‘p‘j

@©’FMISS JANE PORTERgTHE SCOTTISH CHIEFSh1810‰”ÅB’Ps–{‚Ì1—áBLONDON: GEORGE VIRTUE,[1840]
@Š¿–ó‘æ1û‚Ì”­’[A‘æ1-10‰ñ‚ÍŒ´ì‘æ1-21͂ɊY“–‚µ‚Ü‚·B

@S2719–@‘hŠi—–“Æ—§‹L@Šª“ñŠªŽO@i—ðŽj¬àj@11-28‰ñ@—Žm’Âƒàø–ó@“ŒŠCŠo‰äi™”OŽœjŽŒ@w¬à—Ñx1-12Šú@Œõ33.1-•è\9(1907.2-1908.10)

@“¯‚¶‚­AŠ¿–󊪓ñ‘æ11-20‰ñ‚ÍŒ´ì‘æ22-33Í‚ÉAŠ¿–󊪎O‘æ21-28‰ñ‚ÍŒ´ì‘æ34-50͂ɊY“–‚µ‚Ü‚·B
@“oêl•¨‚̈ꕔ‚ÍAŒb—õE˜aލŽm William WallaceA”n—˜ˆÀ Marion BraidfootAŽmœf‘´ ScrymgeourB



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2026.3.4
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2396–@Å’ª@i’£j•ÉŒæ–ó@w¬àŒŽ•ñx10Šª7† 1919.7.25

@©’FƒCƒ^ƒŠƒA‚Ì‹™Žtƒ}ƒUƒjƒGƒbƒi’Zk–¼FMASANIELLOB–{–¼FTOMMASO ANIELLOA1620-1647j•¨ŒêB
@H.(HERBERT) GREENHOUGH SMITHgREAL-LIFE ROMANCES, ‡V. MASANIELLOhigTHE STRAND MAGAZINE (US)hV46 #273, 1913.10j



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2026.3.3
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2246–@™ÔFŽq噀ŒŒV‰¶‹L@i—Ï—¬àj@ã‰ºŠª@i‰pj‘åŒGŽ—ÍŽiäÚ–s—‹’˜@—Ñ紓Aé°ˆÕ“¯–ó@¤–±ˆó‘ŠÙ Œõ33.9(1907)
@DAVID CHRISTIE MURRAYgTHE MARTYRED FOOLh1895[‘×—ˆ065]

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FDAVID CHRISTIE MURRAYgTHE MARTYRED FOOL, A NOVELhNEW YORK: HARPER & BROTHERS PUBLISHERS, [1894], 1895



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2026.3.2
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2242–@™Ôü‹L iˆê‘è’Wg‹à|èrj 24‰ñ 3û@i‰pj–ï—â’˜ i’ÂjˆíŽòŒû–ó iåLjG‹Ê•Mq@ãŠCE’†ŠO“ú•ñŠÙ Œõ29(1903)
@i‘K“ìGjELLEN THORNEYCROFT FOWLERgA DOUBLE THREADh1899

@Š¿–ó•\ކ‚Í•tŒšMA’£á‰Ô•Ò’˜w´–––¯‰V¬à•¶Œ£–˜^—^Œ¤‹†i´––Šªjxi’†‘ŽÐ‰ï‰ÈŠwo”ÅŽÐi‹[j2026B“dŽš”ÅB391•Åj‚æ‚èˆø—p‚µ‚Ü‚µ‚½B
@o”ŎЂ̕⑫‚Å‚·B
@©’FNEW YORK: D. APPLETON AND COMPANY, 1899



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2026.3.1
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1951–@mŽt@iŽÐ‰ï¬àj@i”üj•¶‹è·ŒK’˜@”¼™Ni—«”¼”_j–ó@w¬à‘åŠÏx6W@1916.6
@i“n•Ó_ŽijNATHANIEL HAWTHORNEg‡V. THE OLD-FASHIONED SCHOOL"igFAMOUS OLD PEOPLE: BEING THE SECOND EPOCH OF GRANDFATHER'S CHAIR"j

@o”ŎЂ̕⑫‚Å‚·B
@©’FBOSTON: TAPPAN & DENNET, 1842



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2026.2.28
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H0350@ŠØá¸‰¯Œê i‹{’ì¬àj@”¼™Ni—«”¼”_j@w¬à‘åŠÏx6W 1916.6

@‘nì‚ł͂Ȃ­–|–óBŠØá¸‚ÍŒ«‚¢Œ¢‚̌Ăі¼B
@©’FCÆSAR THE KING'Si–{–¼FDOGJOHN ERNEST HODDER-WILLIAMSjgWHERE'S MASTER?hLONDON: HODDER & STOUGHTON, 1910



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2026.2.27
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@ˆÈ‰º‚ÌŠ¿–óŒ´ì‚Í‚¢‚¸‚ê‚à JAMES BALDWINgFIFTY FAMOUS STORIES RETOLDhNEW YORK, CINCINAATI, CHICAGO: AMERICAN BOOK COMPANY, 1896 ‚Å‚·B

@‡@W1360b–@ŒÜ\ŒÌŽ–@“ŒŒà‹Œ‘·@w“Œ•ûŽGŽx8Šª5†-15Šª7† é“3.6.25i1911.7.20j-1918.7.15 @JAMES BALDWINgFIFTY FAMOUS STORIES RETOLDh
@[´–¯Š§75]‘¦‘·ŸyCA‘æ8Šª‘æ5†ŽŠ‘æ15Šª‘æ7†A1911.7.20i铎O”N˜ZŒŽ“ñ\ŒÜ“újŽŠ1918.7.15

uޏ–ÝvKING ALFRED AND THE CAKESA
u‰ú—_vKING CANUTE ON THE SEASHOREA
uˆÐ—õŽOŽqvTHE SONS OF WILLIAM THE CONQUERORA
u‰Í–k’q™ÕvOTHER WISE MEN OF GOTHAMA
u‰Í–k’q™Õ“ñvTHREE MEN OF GOTHAMA
u–q—rŽ™”V‘ΖâvKING JOHN AND THE ABBOTA
uŽ©Ÿ•s•œÎáávTHE WHITE SHIPA
u­”N”V“¾‹ôvA STORY OF ROBIN HOODA
u’ç‰Í”V––˘YvTHE MILLER OF THE DEEA
u”t…Ž€‘å«vSIR PHILIP SIDNEYA
u•sdvTHE UNGRATEFUL SOLDIERA
u•«ŒRvTHE BLACK DOUGLASA
u’wå”V˜I•zvBRUCE AND THE SPIDERA
uˆêˆß”qŽÝvSIR WALTER RALEIGHA
uŽO‘«Žl‘«”V•¨vBALDWIN –¢Žû˜^iOEDIPUS AND THE SPHINXjA
u‰p—Y”VŽã—vGRACE DARLINGA
u‰p—Y”V«Ž¿vBALDWIN –¢Žû˜^iŽOl‚Ì‘§ŽqA•s–¾jA
uŽm“Æ—§ˆêvTHE STORY OF WILLIAM TELLA
u‘àvTHE BELL OF ATRIA
uá–é“nˆŸ”ÚvHOW NAPOLEON CROSSED THE ALPSA
u”_•vˆ×‘å«vTHE STORY OF CINCINNATUSA
uˆŸ—ðŽR‘å”V‘å‰G‹£vDIOGENES THE WISE MANA
u—…”n”V”s«vTHE STORY OF REGULUSA
uéŽq›ß±áávJULIUS CÆSAR ‚Ù‚©A
u‰È“ò—õˆŸ”V•óvCORNELIA'S JEWELSA
u“ñ’íŽqvBALDWIN –¢Žû˜^i•s–¾jA
uˆê‰æ”V‘‘vA LACONIC ANSWERA
u—…”n”V•ŽmvHORATIUS AT THE BRIDGEA
u’鉤”V“à—evTHE SWORD OF DAMOCLESA
ud‹`‘ˆŽ€vDAMON AND PYTHIASA
uˆŸ—ðŽR‘å”V­”NvALEXANDER AND BUCEPHALUSA
uŽz”b’B”VŽO•SlvTHE BRAVE THREE HUNDREDA
u¬‹gŽv”V‘évTHE KING AND HIS HAWKA
u‹³Ž‚vBALDWIN –¢Žû˜^iƒ‰ƒCƒIƒ“‚ÌŒãŒpŽÒA•s–¾jA
u~ÛvTHE BLIND MEN AND THE ELEPHANTA
u–qêAŽÒŒ¾vMAXIMILIAN AND THE GOOSE BOYA
iuˆã•n”V–òvjDOCTOR GOLDSMITHA
uˆê”Ñ“ïvTHE BARMECIDE FEASTA
u–³—¹Šú”VŒÌŽ–vTHE ENDLESS TALEA
uŠMŽF”ÚˆŸvCASABIANCAA
u–’†ŒÌŽ–ÏÏ[–’†‰Ô]vPICCIOLA


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@‡AW1368–@ŒÜ\çdŽ––ó•]@i‰pjà`Ž¢•¶Œ´•Ò ‰¤Š®”’–ó•]@ãŠCE”ü‰Ø‘ŠÙ THE AMERICAN PRESBYTERIAN MISSION PRESS 1913“~
@JAMES BALDWINgFIFTY FAMOUS STORIESÏÏhTRANSLATED AND CRITICISED BY JOSEPH L. KING, M. D.

@E•vŽq‹Œ‘–Ô‚ÉŽÊ^‚ ‚èB•\ކ‚É‘æ˜Z”ÅAu–k‹ž‰‹ž‘åŠwZ’·Ži“k—‹“o”ŽŽm‰p•¶˜v1913.2.24ASHANGHAI: THE MISSION BOOK COMPANY, 1924



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2026.2.26
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1334–Ž‚Žq•ñ‰¶ (ANDROCLES AND THE LION)@‘·ŸyC•Ò–ó@ãŠCE¤–±ˆó‘ŠÙ1913.8^1922.9”ª”Å “¶˜b1=16

@©’FgTHE LION AND THE MOUSEhigÆSOP'S FABLEShj
@‚¨‚æ‚ÑgANDROCLUS AND THE LIONhiJAMES BALDWINgFIFTY FAMOUS STORIES RETOLDhNEW YORK, CINCINAATI, CHICAGO: AMERICAN BOOK COMPANY, 1896j



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2026.2.25
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1067–@µ’{”ëH‹L@i”üj”g“Á GENE STRATTON PORTER ’˜@i‰pj‹G—”ã•vl MRS. DONALD MacGILLIVRAY–ó@ãŠCE‹¦˜a‘‹Ç1916
@[仉Ø10B-314]gTHE STRIKE AT SHANE'Sh1893

@©’FiGENE STRATTON-PORTERjgTHE STRIKE AT SHANE'S: A PRIZE STORY OF INDIANAhBOSTON: THE AMERICAN HUMANE EDUCATION SOCIETY, 1893



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2026.2.24
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@‡@Y1377–@ˆâî‹L@i‰pj‰¤Ž¢“¿’˜ ’¾«m–ó@wV”Nx5Šª6†-6Šª3† 1918.12.15-1919.3.15
@@OSCAR WILDEgLADY WINDERMERE'S FANh1892
@‡AS0561–@îŒë@i‰pj‰¤Ž¢“¿’˜ àN‰ÆŸ«–ó@wV’ªx1Šª3† 1919.3.1
@@OSCAR WILDEgLADY WINDERMERE'S FANh1892i”Ñ’Ë—ejuŒ´ì‚̓ƒCƒ‹ƒhuƒEƒBƒ“ƒ_ƒ~ƒA‹¨•vl‚Ìîvv

@©’FOSCAR WILDEgLADY WINDERMERE'S FAN: A PLAY ABOUT A GOOD WOMANhLONDON: ELKIN MATHEWS AND JOHN LANE, 1893



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2026.2.23
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S0209–@ŽOl‰e i’ã’T¬àj@i”üjŠy—ÑŽi˜NŽ¡’˜ ¤–±ˆó‘ŠÙ•Ò–óŠ–ó@ãŠCE¤–±ˆó‘ŠÙ •è\1(1908)^1914.4Ä”Å à•”‘p‘1=93
@LAWRENCE L. LYNCHgSHADOWED BY THREEh1879

@©’Fo”ŎЂ̕⑫‚Å‚·BCHICAGO: DONNELLEY, GASSETTE & LOYDE, 1879



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2026.2.22
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Q0506–@œÊl–²@à½XŽi’˜ ‹£¶–ó@w¬àŽž•ñx21Šú 1914.1.15
@CHARLES DICKENSgCHRISTMAS CAROLh

@©’F”Å–{‚Ì1—áBCHARLES DICKENSgA CHRISTMAS CAROL, IN PROSE, BEING A GHOST STORY OF CHRISTMAShLONDON: CHAPMAN & HALL, 1843



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2026.2.21
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@P0143–@èÆè̉Πi’ã’T¬àj@i‰pj‰È“ì“¿‹`Ž¢Œ´’˜ –¢–óŽÒ–¼@w‡“VŽž•ñx1908.1.5-9
@ARTHUR CONAN DOYLE’˜

@©’FARTHUR CONAN DOYLEgA SCANDAL IN BOHEMIAh1891.7B
@Holmes”g—¯–oŽm
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@@



2026.2.20
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0898–@—‹  iŒ´–¼THE KNIGHTERRANTRY)ÏÏ@MRS. HENRY WOODŒ´’˜ “S¿iúÂŽ÷珏j–ó@w¬àŒŽ•ñx7Šª11† 1916.11.25
i”n•¶ˆÌjgTHE KNIGHT ERRANTRYh

@©’FMRS. HENRY WOODgMARTYN WARE'S TEMPTATIONh‘æ1•”‘æ1Í THE MOTHER'S GRIEFA‘æ2Í HELEN'S KNIGHT-ERRANTRY ‚Ì•”•ª‚ðŠ¿–óB
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@MRS. HENRY WOODgTHE LOST BANK NOTE: AND, MARTYN WARE'S TEMPTATIONhPHILADELPIA: T. B. PETERSON & BROTHERS, 1863B
@‚Ü‚½ MRS. HENRY WOODgTHE FOGGY NIGHT AT OFFORD; MARTYN WARE'S TEMPTATION; THE NIGHT-WALK OVER THE MILL STREAMhLEIPZIG: B. TAUCHNITZ, 1872



@@



2026.2.19
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0869–@—ŽtˆùŒ•‹L@14Í@i‰pj•zŽi”’’˜@—Ñ紓A’‰Ɨٖó@ãŠCE¤–±ˆó‘ŠÙ1917.7^1920.8Ä”Å à•”‘p‘3=29
@GUY NEWELL BOOTHBYgA BRIGHTON TRAGEDY"1905

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FGUY BOOTHBYgA BRIGHTON TRAGEDYhLONDON: GEORGE BELL & SONS. 1905



@@



2026.2.18
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0009–@\”j›Ä@i‹r–{V–ój@i‰pjEŒ€‰ÆšŽŒ´’˜@—ΈߗŽmA—âi’ÂŒiŠØj–ó@w¬àŽž•ñx16-22Šú@1912.7.26-1914.5.15
@GEORGE BERNARD SHAW’˜i”Ñ’Ë—ejŒ´ì‚̓o[ƒi[ƒhEƒVƒ‡[u‰^–½‚Ìlv

@©’FBERNARD SHAWgTHE MAN OF DESTINYhigPLAYS: PLEASANT AND UNPLEASANThTHE SECOND VOLUME, CONTAINING THE FOUR PLEASANT PLAYS, LONDON: GRANT RICHARDS, 1898 ŠŽûj



@@



2026.2.17
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@M1531–@–Ù i‹õŒ¾j@i”üjˆŸ—Ïš± iŽüjìl–ó@‰ïŒmŽüŽŒZ’íiŽüŽ÷lE˜DvAŽüìljŽ[–ówˆæŠO¬àWx‘æ‚Qû “Œ‹ž_“cˆóüŠˆóü ŒÈ“Ñ6.11(1909.7.27)
@EDGAR ALLAN POEgSILENCE|A FABLEh1837BŒ´‘èuŽâ”™v

@©’FEDGAR ALLAN POEgSIOPE.A FABLEhigTALES OF THE GROTESQUE AND ARABESQUEhVOL.2, PHILADELPHIA: LEA AND BLANCHARD, 1840 ŠŽûj
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2026.2.16
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@‡@M1462–@–͔͉ƒë iŒ´–¼THE CHANNINGS)@i‰pjMRS. HENRY WOODi‰×“Áj’˜ ’ŠϚó•ÒŽ[ úÂŽ÷珏Z’ù@ãŠCE¤–±ˆó‘ŠÙ1919.1^1920.8Ä”Å à•”‘p‘3=54
@MRS. HENRY WOODgTHE CHANNINGSh1862

@©’FVOL.1, LONDON: RICHARD BENTLEY, 1862BŒ´ì‘æ1û‘S20Í‚ðŠ¿–ó

@@
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@‡AM1465–@–͔͉ƒ둱•Ò 2Šª ㉺û@i‰pj‹œ—˜Š¢“Á—Žm’˜ ’ŠϚó–ó@ãŠCE¤–±ˆó‘ŠÙ1919.5^1921.1Ä”Å à•”‘p‘3=66
@MRS. HENRY WOODgTHE CHANNINGSh1862

@©’FVOL.2, LONDON: RICHARD BENTLEY, 1862BŒ´ì‘æ2û‘S20Í‚ðŠ¿–óB‘æ3û‘S20͖͂¢–ó



@@



2026.2.15
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J2222–@ŒR–ðŠï’k@i‰pj’E”nŽz‰Á‘×’˜ “©‹©’U–ó@ãŠCE¬à—ÑŽÐ1904.7 ¬à—Ñi‘p‘j
@THOMAS CARTERgMEDALS OF THE BRITISH ARMYh1861‚ł͂Ȃ³‚»‚¤B“¯ŽìgCURIOSITIES OF WARh1871 ‚©

@Š¿–ó•\ކ‚Í•tŒšMA’£á‰Ô•Ò’˜w´–––¯‰V¬à•¶Œ£–˜^—^Œ¤‹†i´––Šªjxi’†‘ŽÐ‰ï‰ÈŠwo”ÅŽÐi‹[j2026B“dŽš”ÅB102•Åj‚æ‚èˆø—p‚µ‚Ü‚µ‚½B
@©’FTHOMAS CARTERgCURIOSITIES OF WAR AND MILITARY STUDIES: ANECDOTAL, DESCRIPTIVE, AND STATISTICALhLONDON: GROOMBRIDGE & SONS, 1860B
@‰p‘—¤ŒRŽQ–d‘’·ƒg[ƒ}ƒXAƒJ[ƒ^Ž’˜AŽÄ“c˜Z˜YŒN–óqwŒR–ðŠï’k CURIOSITIES OF WARx‹¤‰h“°1899.1.13B‘—§‘‰ï}‘ŠÙƒfƒWƒ^ƒ‹ƒRƒŒƒNƒVƒ‡ƒ“



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2026.2.14
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J1705–@儆¢–¼Œ¾@i”üj”Ô“ÁŽŒúHENRY VAN DYKE’˜ —ºŠyŒŽAå͋ʉp–ó@LŠw‰ï1914
@HENRY VAN DYKE’˜ LAURA M. WHITE–ó

@©’FHENRY VAN DYKEgTHE FIRST CHRISTMAS TREEhNEW YORK: CHARLES SCRIBNER'S SONS, 1897 ‚ðŠÜ‚ÞB
@‘æˆêè÷¹’aŽ÷ THE FIRST CHRISTMAS TREEA
@‘æŽl”ŽŽm“` THE OTHER WISE MANA
@ޏ˜H¬›w THE LOST BOYA
@ˆó“xl“½‰…”Vˆâ“Å RIPENING OF THE FRUITA
@ŸÉ“D‹õŒ¾ A HANDFUL OF CLAYi“A\‰ØjA
@‹ŽŽ×‹A³ COUNTERSIGN OF THE CRADLEA
@–²Ÿà“V“° THE MANSIONA
@–Y‹L—¹—¼ŒÂŽš THE LOST WORDA
@“VŽg„‰{¢ŠE‰Ì POEM-THE THREE QUESTIONS



@@



2026.2.13
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J1221–@‹àŽÔ@i’£j•ÉŒæ–ó@w¬àŒŽ•ñx11Šª8† 1920.8.25

@©’FARTHUR B. REEVEgTHE TREASURE-TRAINhigTHE TREASURE-TRAINhNEW YORK AND LONDON: HARPER & BROTHERS, 1917 ŠŽûjPROFESSOR CRAIG KENNEDY ‚à‚Ì



@@



2026.2.12
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H0492–@D’jŽ™•s“–”@¥–ë iŒRl¬àj@iŽüj‘‰êC–ó@w—ç”q˜Zx45Šú 1915.4.10

@©’Fiƒtƒ‰ƒ“ƒXjF.(FRÉDÉRIC) SOULIÉ ìA‰p–óŽÒ•s‹LgA TEN-YEAR-OLD SAPPER, A TALE FOR YOUNG PEOPLEhigTHE STRAND MAGAZINEhV.21 N.124, 1901.4j



@@



2026.2.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@G1274–@‹S–¹@”’äÊ@wVŒ€ŽGŽx2Šú 1914.7.1
@–󉨷“Úii”üjWASHINGTON IRVINGj•M‹L

@©’F”Å–{‚Ì1—áBWASHINGTON IRVINGgTHE SPECTRE BRIDEGROOMhigTHE SKETCH BOOK OF GEOFFREY CRAYON, GENThLONDON: JOHN MURRAY, 1822 ŠŽûj



@@



2026.2.10
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@G0528–@ŒÇŽm‰e@i‰pjàó—ÑŽ—…•Ÿ’˜@ŽœI–ó@w¬àŒŽ•ñx4Šª9-12†@1913.12.25-1914.3.25
@[’£Ž¡1709]FRANCIS MARION CRAWFORDgDOCTOR CLAUDIUS, A TRUE STORYh1883.

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FF. MARION CRAWFORDgDOCTOR CLAUDIUS, A TRUE STORYhLONDON AND NEW YORK: MACMILLAN AND CO., 1889



@@



2026.2.9
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@F0875–@•¤—…˜AŽz i”ߌ€ ˆê–‹j@i‰pj‰¤Ž¢“¿’˜ ’Â嘏–ó@wV”Nx2Šª1-3† 1916.9.1-11.1 @OSCAR WILDE’˜@i”Ñ’Ë—ejuŒ´ì‚̓ƒCƒ‹ƒhuƒtƒBƒŒƒ“ƒcƒF‚̔ߌ€vv

@©’FOSCAR WILDEgA FLORENTINE TRAGEDYhBOSTON AND LONDON: JOHN W. LUCE & COMPANY, 1908


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@‡@Q1471@î”V‘f i˜ègçdŽ–ÏÏj ㉺û@Žj•¶’˜ ‰¤k›ŽdS@ãŠCE¢ŠE‘‹Ç1932.11\ŽO”Å
@[–¯’†09828][—«–¯712]‡A

@y¡ˆÂzŒ´‘“I™Ôs¬Žš›“I¥g˜ègçdŽjhCާ•s¥g˜ègçdŽ–hBsî”V‘ft‰ºû³•¶“I––”ö›“žg—÷á¶•â˜^hC”‡— —÷á¶A¥‰¤k›Ž“I•Ê–¼B’FE•vŽq‹Œ‘–Ô‚ÉŽÊ^‚ ‚èB‘æ\ˆê”ÅA‘æ\“ñ”ʼnºû––”ö‚ÌŠp‘‚͘ègçdŽ–

@’ljÁ‚Å‚·B’FE•vŽq‹Œ‘–Ô‚ÉŽÊ^‚ ‚èB

@‡Aî”V‘f@i‹êî¬àj@‘Sˆêû@–ˆŸi™–ˆŸj’˜@ãŠCE‰Ø‘‘‹Ç 1922.4



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2026.2.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@F0818b–@•ŸŽ¢–€Žz’TˆÄW”Vˆê•Y•z“D@i‰pjžh“ìE“¹Ž¢ –HS@w‰ŽGŽx7-9Šú 1915
@ARTHUR CONAN DOYLE‚ÌSHERLOCK HOLMES‚à‚Ì
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@•¶Œ£‚ðŽQÆ‚µ‚Äã‚Ì‹Lq‚ɂȂÁ‚Ä‚¢‚Ü‚·B
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@P0231–@•Y•z“D i•ŸŽ¢–€Žz’ã’TˆÄ”Vˆêj@˜@S–ó@w‰ŽGŽx1914?1915?ÏÏ
@CONAN DOYLEBARTHUR CONAN DOYLEgTHE ADVENTURE OF THE ENGINEER'S THUMBh1892.3

@Œ´‘èuTHE ENGINEER'S THUMB ‹ZŽt‚ÌeŽwv‚ÍŠ¿–ó‚Å‚Íu‘ådŽwvu‹@Žt”VŽwvuC‹@’fŽwˆÄv‚ȂǂƂ³‚ê‚Ü‚·B‚»‚ê‚ç‚Æ‚͈قȂé•W‘èu•Y•z“Dv‚Å‚·B
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@‚È‚¨ŽGŽ˜Aڂɂ‚¢‚Ă͑æ7-9ŠúAЧ”N•s‹L‚Ü‚½‚Í1915”N‚Æ‚¢‚¤Žw“E‚ª‚È‚³‚ê‚Ä‚¢‚Ü‚·B



@@



2026.2.7
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1767–@Žº“à@i”äj”~“Á—ÑŽ’˜ i’¾jŠå™u–ó@wŠw¶ŽGŽx7Šª8† 1920.8.5
@MAURICE MAETERLINCK’˜

@©’FMAURICE MAETERLINCK ìAWILLIAM ARCHER ‰p–ógINTERIORhigALLADINE AND PALOMIDES, INTERIOR, AND THE DEATH OF TINTAGILES; THREE LITTLE DRAMAS FOR MARIONETTES h LONDON: DUCKWORTH & CO., 1899 ŠŽûj



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2026.2.6
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@L0819–@—HŠw¶ÝZ‹L@i‰ÈŠw¬àj@i’¾jŠå™uA‘ò–¯@wŠw¶ŽGŽx7Šª7Šú-8Šª2Šú@1920.7.5-1921.2.5
@iŽO–LjA. RUSSELL BOND (1876-1937) gTHE SCIENTIFIC AMERICAN BOY AT SCHOOL"i1910. SCIENTIFIC AMERICAN BOY SERIES ‘æ2•”j

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FA(LEXANDER) RUSSELL BONDgTHE SCIENTIFIC AMERICAN BOY AT SCHOOLhNEW YORK: MUNN & CO., INC., 1910



@@



2026.2.5
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H2826–@ŠˆŽr@i‰âj‚k. ‘Žz‘×’˜ i’¾jŠå™u–ó@wŠw¶ŽGŽx7Šª1-6† 1920.1.5-6.5
@TOLSTOIgTHE MAN WHO WAS DEADhAŒ€

@©’FLEO TOLSTOY ìAHAGBERG WRIGHT •ÒgTHE MAN WHO WAS DEADhigTHE MAN WHO WAS DEAD (THE LIVING CORPSE), THE CAUSE OF IT ALL; DRAMAShNEW YORK: DODD, MEAD AND COMPANY, 1912 ŠŽûj



@@



2026.2.4
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@L1209–@—¼ŒŽ’†”VŒš’zæ@i‰ÈŠw¬àj@i”üj—ŒæÎŽ¢œd“ÁRUSSELL BOND’˜@i’¾jŠå™uAi’¾j‘ò–¯–ó@wŠw¶ŽGŽx5Šª1-12†@1918.1.5-12.5
@iŽO–LjA. RUSSELL BOND (1876-1937) gWITH THE MEN WHO DO THINGS"i1913. SCIENTIFIC AMERICAN BOY SERIES ‘æ3•”j

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FA(LEXANDER) RUSSELL BONDgWITH THE MEN WHO DO THINGShNEW YORK: MUNN & CO., INC., 1913



@@



2026.2.3
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@L0003–@fšF”äÝZ‹L iŠw¶¬àj@i‰pj“¿”žŽiŠóŽœ’˜ H…¶–ó@wŠw¶ŽGŽx3Šª7†-4Šª12† 1916.7.20-1917.12.5
@THOMAS HUGHESgTOM BROWN'S SCHOOL DAYSh1857

@©’F‘æ1•”‚ðŠ¿–óB”Å–{‚Ì1—áB
@AN OLD BOYgTOM BROWN'S SCHOOL DAYShLONDON: MACMILLAN AND CO., 1882



@@



2026.2.2
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S0761–@­”N—·sæ@è·•z’˜ –ÐŒ›³–ó@wŠw¶ŽGŽx2Šª3†-3Šª3† 1915.3.20-1916.3.20
@A. R. HOPE MONCRIEFFi•M–¼ ASCOTT ROBERT HOPEj

@©’FASCOTT R.(ROBERT) HOPEgYOUNG TRAVELLERS' TALEShLONDON: BLACKIE & SON, LIMITED, 1895
@זڂ͈ȉº‚̂Ƃ¨‚èBŒ´ì‚Ì1•Ñ SMYTH AND SMITH ‚Í–¢–óB
@uŠCŠOéG—¬vA TRIP ABROADA
@u’á—…ŽR’†–`Œ¯vTHE SUNDAY TIROLERA
@uàíˆÐ”V—VvLEFT BEHINDA
@u”ñF—·svMY ADVENTURES IN AFRICAA
@uˆó“x”Và·vA BAD SHOT. A STORY OF INDIAA
@uŽ©“]ŽÔ”V–`Œ¯vWHEEL AND WOE! A CYCLIST'S ADVENTURE IN THE ARDENNESA
@uŽm–lvTHE MERRY SWISS BOOTSA
@u‰È¼‰Ã”V“vOUR CORSICAN BANDIT



@@



2026.2.1
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@W1388–@ŒÜˆÌl i­”N‰Ã˜bj@i”üj“ߎDè·X’˜ ™‘å–ó@wŠw¶ŽGŽx1Šª4†-2Šª1† 1914.10.20-1915.1.20

@©’FNATHANIEL HAWTHORNEgBIOGRAPHICAL STORIEShigTRUE STORIES FROM HISTORY AND BIOGRAPHYhBOSTON: TICKNOR, REED, AND FIELDS, 1851 ŠŽûj



@@



2026.1.31
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚ÄB

@D1538–@‘—ܔè iˆ£î¬àj@2Šª@ã‰ºŠª@ii‰pj•zŽz˜ê’˜j@¤–±ˆó‘ŠÙ•Ò@ãŠCE¤–±ˆó‘ŠÙ@ŒÈ“Ñ9.5(1909.10.18)^1914.10.16Žl”Å@à•”‘p‘2=77
@[’£Ž¡20B]GUY NEWELL BOOTHBYi1867-1905j,LOVE MADE MANIFEST, 1899

@‚·‚łɌ´ì‚ÌŽw“E‚ª‚ ‚è‚Ü‚·Bo”ŎЂɂ‚¢‚Ă̕⑫‚Å‚·B
@©’FCHICAGO AND NEW YORK: HERBERT S. STONE AND COMPANY, 1899



@@



2026.1.30
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚ÄB

@D0840–@“d‘¯ iŠïî¬àj@FRED.ÏÏ M. WHITEŒ´’˜ ˜ß“øi•LU’BjAi’£j•Ɍ擯–ó@w¬àŽž•ñx28-32† 1916.9-1917.7
@iŽO–LjFRED M. WHITEi1859-1935jgTHE SUNDIALh1908

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2026.1.28
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2026.1.19
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2026.1.18
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2026.1.9
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2026.1.8
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@VICTOR HUGOgLES MISÉRABLESh1862

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@©’F‰p–ó‚Ì1—áBVICTOR HUGO ìACHARLES E.(EDWIN) WILBOUR ‰p–ógLES MISÉRABLES.: A NOVELhNEW YORK: A. L. BURT COMPANY, [1862]B
@‚Ü‚½ VICTOR HUGO ìAISABEL F.(FLORENCE) HAPGOOD ‰p–ógLES MISÉRABLEShNEW YORK: THOMAS Y. CROWELL & CO. 1887 ‚È‚ÇB

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‘æ‚PÍ©‘æ‚PŠª A JUST MAN ‘S14Í‚ð1͂Ɉ³k
‘æ‚QÍ©‘æ‚QŠª THE FALL ‘S13Í
‘æ‚RÍ©‘æ‚RŠª IN THE YEAR 1817 ‘S9Í
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‘æ14Í©‘æ‚RŠª ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN ‘æ9-11Í
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‘æ21Í©‘æ‚TŠª THE EXCELLENCE OF MISFORTUNE ‘æ5Íi‘æ6ÍÈ—ªj
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‘æ23Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ7-12Í
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‘æ25Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ18Í“r’†-20Í“r’†
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‘æ27Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ20Í“r’†
‘æ28Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ20Í“r’†-21Íi‘æ22ÍÈ—ªj
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‘æ32Í©‘æ‚RŠª THE HOUSE IN THE RUE PLUMET ‘æ7-8Í
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‘æ33Í©‘æ‚TŠª THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING ‘æ1Íi‘æ2ÍÈ—ªj
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@@@@‘æ‚TŠª THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING ‘æ6Í
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‘æ35Í©‘æ‚UŠª LITTLE GAVROCHE ‘æ3Í
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‘æ37Í©‘æ‚WŠª ENCHANTMENTS AND DESOLATIONS ‘æ7Í
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‘æ38Í©‘æ10Šª THE 5TH OF JUNE, 1832 i‘æ1-2ÍÈ—ªj
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@@@@i‘æ12Šª CORINTHE ‘æ1-2ÍÈ—ªj
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@@@@‘æ‚RŠª MUD BUT THE SOUL ‘æ1Í
‘æ45Í©‘æ‚RŠª MUD BUT THE SOUL ‘æ2-4Íi‘æ5ÍÈ—ªjA‘æ6-8Í
‘æ46Í©‘æ‚RŠª MUD BUT THE SOUL ‘æ9-11Íi‘æ12ÍÈ—ªj
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‘æ47Í©‘æ‚TŠª GRANDSON AND GRANDFATHER ‘æ2-6Í
‘æ48Í©‘æ‚TŠª GRANDSON AND GRANDFATHER ‘æ7-8Í
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‘æ49Í©‘æ‚UŠª THE SLEEPLESS NIGHT ‘æ3-4Í
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‘æ50Í©‘æ‚VŠª THE LAST DRAUGHT FROM THE CUP ‘æ2Í–`“ª
@@@@‘æ‚WŠª FADING AWAY OF THE TWILIGHT ‘æ1-4Í
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2026.1.7
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2026.1.6
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