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@©’F”Å–{‚Ì1—áBMADAME LA COMTESSE DE SEÉGUR ìACHARLES WELSH —v–ñACHARLES F. DOLE •ÒgSTORY OF A DONKEYhBOSTON: D. C. HEATH & CO., 1904



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2026.5.20
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2026.5.19
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2026.5.18
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2026.5.16
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2026.5.10
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@©’F–¢Š®B‰p–óŽÒ•s‹LgTHE STORY OF SINDBAD THE SAILORhiMILO WINTER ‘}ŠGgTHE ARABIAN NIGHTS ENTERTAINMENTShCHICAGO, NEW YORK: RAND McNALLY & COMPANY, 1914, THE WINDERMERE SERIESjB
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2026.5.9
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2026.5.7
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@©’FH. J. SHEPSTONEgCURIOSITIES OF KOREAhigTHE WIDE WORLD MAGAZINEhVOL.31 NO.184, 1913.8j



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2026.5.3
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2026.5.2
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2026.5.1
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@F0385–@”ñF”d“¹”VŠJ‘c@i‰pj”n‘׎mBASIL JOSEPH MATHEWS’˜ ‰p‘—ϓ։ïŽv‹`WILLIAM HOOKYN REESA‹–‰Æœ·‡–ó@ãŠCELŠw‰ï1914ÏÏ

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2026.4.30
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@‚Ü‚½ HANS C. G. VON JAGEMANNgTHE STORY OF SOLDIER FRITZhigMATERIALS FOR GERMAN PROSE COMPOSITION, WITH NOTES AND VOCABULARY: SIMPLE NARRATIVEhNEW YORK: HENRY HOLT AND COMPANY, 1892j



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2026.4.29
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@F0066–@–@«ŒŒí‹L@ŒÓŒ›‹ÆÏÏ–ó@ãŠCE¤–±ˆó‘ŠÙ1919
@i”n•¶ˆÌjŒÓŒ›‹Æ¨ŒÓŒ›¶BgTHE LIEUTENANT'S STORYh

@©’F’ê–{‚Í R. N.iRENÉ NICOLASjgTHE LIEUTENANT'S STORY. IIIhigTHE ATLANTIC MONTHLYh1917.3j



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2026.4.28
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@F0056b–@–@‘–¼‰Æ¬àŒ†ìW Šªã@鸕¶‰U–ó@–k‹ž^ãŠCE–kV‘‹Ç1927.3 ‰¢”ü–¼‰Æ¬à‘pЧ
@F0056c–@–@‘–¼‰Æ¬àŒ†ìW Šª‰º@鸕¶‰U–ó@–k‹ž^ãŠCE–kV‘‹Ç1927.5^1927.7ĔЉ¢”ü–¼‰Æ¬à‘pЧ

@@[’M–{‚c]ˆê‹ã“ñ޵”NŽOŒŽ‰”ÅB||||||||||||||||||||||||||||
@‘h—–Žê@‘å’‡”n ALEXANDER DUMAS ’˜i’FSOLANGE, 1849jA
@Ž˜DˆŸŽàŒò@ãxÇ ALFRED DE MUSSET ’˜i’FCROISILLES, 1839jA
@ŒòŽÝ•vl@‹ªŽ¡ŒK GEORGE SAND ’˜i’FLA MARQUISE, 1832jA
@ˆ£Ž¢’Á“IˆÛ”[iˆ¤_j‘œi–Ú˜^‚͈£Ž¨“IˆÛ”[j@”~—§”ü PROSK[P]ERÏÏ ME[É]RIMÉEÏÏ ’˜i’FLA VÉNUS D'ILLE, 1837jA
@––V”V–ð@‘‚f ÉMILE ZOLA ’˜i’FL'ATTAQUE DU MOULIN, 1880j

@@[’M–{‚c]ˆê‹ã“ñ޵”NŒÜŒŽ‰”ÅB||||||||||||||||||||||||||||
@—¼Š‹q“X@“m“¿ ALPHONSE DAUDET ’˜i’FLES DEUX AUBERGES, 1869jA
@BOULE DE SNIF@”œ”‘ŒK GUY DE MAUPASSANT ’˜i’F1880jA
@”w”X@–ÞŽz–Ð JORIS-KARL HUYSMANS ’˜i’FSAC AU DOS, 1877jA
@‹w‘ä‘“Â@–@˜YŽm ANATOLE FRANCE ’˜i’FCONTE POUR LE JOUR DE NO:}EL: LE PROCURATEUR DE JUDÉE, 1891jA
@“sލ“Iˆê™Ôˆ¤l@”’åQ MAURICE BARRÈS ’˜i’F–¢ÚjA
@ˆê‘ÎŒ‹”¯•vÈ@Š——‰•šŽz MARCEL PREVOST ’˜i’F–¢ÚjA
@ˆê‘ΘV•v•w@—¤äÚ PIERRE LOTI ’˜i’FLA CHANSON DES VIEUX ÉPOUX, 1899jA
@ŠÒ‰Æ@äÉ”Œ—§ CHARLES-LOUIS PHILIPPE ’˜i’FLE RETOUR, 1909j



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2026.4.27
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@E0264b–@Ž™“¶ŠÓ i‰Æ’ë¬àj@‰¤𣞇‰€•Ò–ó ‘K¶‰ÂZ’ù@ãŠCE¤–±ˆó‘ŠÙ1918.2^1918.9Ä”Å

@©’F’ê–{‚͑呺m‘¾˜Ywi‹³ˆç‹õ˜bj‰äŽq‚̈«“¿x“¯•¶ŠÙ1904.12.17B‘—§‘‰ï}‘ŠÙƒfƒWƒ^ƒ‹ƒRƒŒƒNƒVƒ‡ƒ“
@Œ´ì‚Í GOTTHILF SALZMANNgKREBSBÜCHLEIN, ODER ANWEISUNG ZU EINER UNVERNÜNFTIGEN ERZIEHUNG DER KINDERh1780^1819



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2026.4.26
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@E0046–@‰â‘”VgŒÏ i­Ž¡¬àj@i”üjЬ”\’˜ —âi’ÂŒiŠØj–ó@w’†‰Ø¬àŠEx2Šª9Šú 1915.9.1

@©’FGEORGE KENNANgA SACRILEGIOUS FOX HUNThigA RUSSIAN COMEDY OF ERRORS, WITH OTHER STORIES AND SKETCHES OF RUSSIAN LIFEhNEW YORK, THE CENTURY CO., 1915j



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2026.4.25
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@E0045–@‰â‘”V•óŒÉ iŠe‘Žž•·”Vˆêj@Îi•ï“VÎj–óÏÏ@w¬àŽž•ñx5Šú é“2.5.1(1910.6.7)

@©’FƒƒVƒA‚Ì—«Šv–½‰ÆE•‡ŠóŽ“ßiVERA NIKOLAYEVNA FIGNER (FILIPPOVA) „B„E„Q„@ „N„I„K„O„L„@„E„B„N„@ „U„I„C„N„E„Q („U„I„L„I„P„P„O„B„@)j‚Ì“`‹LBŒ´ì•sÚB
@Š¿–ó‚ÉŒf‚°‚ç‚ꂽёœ‚ÍAGEORGE KENNANgSIBERIA AND THE EXILE SYSTEMh‘æ2ŠªALONDON: JAMES R. OSGOOD, McILVAINE CO. 1891A433•łƓ¯‚¶‚à‚ÌB‚½‚¾‚µŒ´ì‚ł͂ ‚è‚Ü‚¹‚ñB



@@



2026.4.24
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@E0041–@‰â‘‹õŒ¾@㉺@iRUSSIAN FABLESj@i‘·ŸyC•Ò–ój@ãŠCE¤–±ˆó‘ŠÙ “¶˜b1=22, 23
@i”n•¶ˆÌjãû‚Ì•\ކA‰œ•tŽÊ^‚ ‚èB

@©’FIVAN ANDREEVICH KRYLOVi„I„B„@„N „@„N„D„Q„E„E„B„I„X „K„Q„\„L„O„BjìAW.(WILLIAM) R.(RALSTON) S.(SHEDDEN) RALSTON ‰p–ógKRILOF AND HIS FABLEShLONDON: STRAHAN AND CO., 1869
@@ãû||||||||||||||||||||||||||||
@ŒÏ”ö”b THE FOX IN THE ICEA
@—r˜÷Œ{ THE PEASANT AND THE SHEEPA
@w‰_ THE RAIN-CLOUDA
@–ƒ••Н THE CUCKOO AND THE EAGLEA
@˜Véë—^ŒöŒ{ THE CUCKOO AND THE COCKA
@˜VŒÕ”ç THE PEASANT AND THE LABOURERA
@àË煨ŒIŽqiKRYLOV –¢Žû˜^BŽQlFJEAN DE LA FONTAINEgLE SINGE ET LE CHATiTHE MONKEY AND THE CATjhjA
@épékiKRYLOV –¢Žû˜^BŽQlFLIDA BROWN McMURRYgTHE CAMEL AND HIS MASTERhigFIFTY FAMOUS FABLEShŠŽûjj
@@伞||||||||||||||||||||||||||||
@‰ºŽR”n THE STRING OF CARTSA
@˜T”ð“ï THE WOLF AND THE CATA
@”nΔ_•v THE PEASANT AND THE HORSEA
@æ¶•âˆß TRISKA'S CAFTANA
@¼‘lˆê¶ THE SQUIRREL IN SERVICEA
@ŒîŽ™–²’† FORTUNE AND THE BEGGARA
@”_•v‹ö“ THE PEASANT AND THE ROBBERA
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2026.4.23
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@D1543–@‘—Ž@i–¼‰ÆŒx¢¬àj@i–@j‘å¬à‰Æ‘å’‡”n’˜@iŽüj‘‰êC–ó@w¬àŽž•ñx28-29† 1916.9-1917.1
@ALEXANDRE DUMAS père’˜

@©’FALEXANDRE DUMASgGABRIEL LAMBERThBRUXELLES: MELINE, CANS ET COMPAGNIE, 1844B
@‚Ü‚½ PARIS: MICHEL LÈVY FRÈRES, 1856B
@‰p–ó‚Ì1—áBALEXANDRE DUMAS ìAALFRED ALLINSON ‰p–ógTHE NOVELS OF ALEXANDRE DUMAS: THE CASTLE OF EPPSTEIN [with] SYLVANDIRE [with] GABRIEL LAMBERT AND OTHER STORIES [with] CONSCIENCE [with] CATHERINE BLUM AND OTHER STORIES [with] THE WOLF-LEADERhLONDON: METHUEN & CO., [1904]



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2026.4.22
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@B1056–@”Žê’†”V‰â’é@WILLIAM LE CARLOÏÏ Š‹ˆÐ—õŒ´’˜@Œà—Y˜ç–ó@w¬àŒŽ•ñx7Šª7†@1916.7.25
@WILLIAM LE CARLO’˜©Œë‚è‚ł͂Ȃ¢‚©B

@©’FWILLIAM LE QUEUXgX THE EMPERORhigSECRETS OF MONTE CARLOhLONDON: GEORGE NEWNES, LTD., Ч”N•s‹L (1899?, 1900?) Žû˜^j



@@



2026.4.21
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@D0752–@“_‹àp (THE GOLDEN TOUCH)@‘·ŸyC•Ò–ó@ãŠCE¤–±ˆó‘ŠÙ1915.4^1923.1޵”Å “¶˜b1=35

©’F”Å–{‚Ì1—áBNATHANIEL HAWTHORNEgTHE GOLDEN TOUCHhigA WONDER BOOK FOR GIRLS & BOYShBOSTON: HOUCHTON, MIFFLIN COMPANY, [1883], 1892j



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2026.4.20
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@D0544–@“¿‘ŒRŽ–’ã’T’k@i’ã’T¬àj@—t”_¶–óq@ãŠCE’†‰Ø‘‹Ç1915.9^1928.11Žl”Å

@©’FDR. ARMGAARD KARL GRAVESgTHE SECRETS OF THE GERMAN WAR OFFICEhNEW YORK: McBRIDE, NAST & COMPANY, 1914‘掵”ÅB
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2026.4.19
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@P0341–@•½˜a‰ï‹c (A PEACE-ASSEMBLEY)@’¾“¿ƒiŠå™uj•ÒŽ[@ãŠCE¤–±ˆó‘ŠÙ1918.9 “¶˜b1=75
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@©’FMARY HAYES DAVIS AND CHOW-LEUNGgCHINESE FABLES AND FOLK STORIEShNEW YORK, CINCINNATI, CHICAGO: AMERICAN BOOK CO., 1908iopen library ŠŽûj
@u•½˜a‰ï‹cvTHE ANIMALS' PEACE PARTY ŒQb‹c˜aA
@u–Iå—”V‘ˆvTHE SNAIL AND THE BEES –Iå—”V‘ˆA
@uŒ{ꈔV‘ˆvTHE HEN AND THE CHINESE MOUNTAIN TURTLE Œ{ꈔV‘ˆA
@u‹àᵉԗ^¼Ž÷vTHE EVERGREEN TREE AND THE WILDERNESS MARIGOLD ‹àᵉԕs”@‰i—ÎŽ÷A
@uˆÈ‹¾ˆ×ŠÓvWOO SING AND THE MIRROR ŽØ‹¾ŒPŽq



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2026.4.18
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@S0272–@ŽO–ⓚ@(KING JOHN WITHÏÏ THE ABBOT)@‘·ŸyC•Ò–ó@ãŠCE¤–±ˆó‘ŠÙ •è\11(1908)^1922.9\ŽO”Å “¶˜b1=2
@INTRODUCED WITH THOMA'SÏÏgTHE SPHINX"i¬›‰•üŽqjgKING JOHN WITHÏÏ[AND] THE ABBOT"iJAMES BALDWINgFIFTY FAMOUS STORIES RETOLD"j

@uŽO–ⓚv‚ð˜b‘è‚É‚·‚é‹õ˜b3•Ñ‚ðŽå‚Æ‚µ‚ÄŽû˜^BŠ¿–ó‚Í‘‚«Š·‚¦‚Ä‚¢‚é‚©‚ç’ê–{“Á’è‚ɂ͂͢“ï‚È•”•ª‚ª‚ ‚è‚Ü‚·B

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@THOMAS BULFINCHgTHE SPHINXhigTHE AGE OF FABLE; OR BEAUTIES OF MYTHOLOGYhBOSTON: J. E. TILTON AND COMPANY, 1863j

@©’‡AFƒhƒCƒc‚̃vƒƒCƒZƒ“‰¤ƒtƒŠ[ƒhƒŠƒqEƒ”ƒBƒ‹ƒwƒ‹ƒ€1¢ FRIEDRICH WILHELM I ‚ª’·g‚Ì•º‘à•åW‚ÉÛ‚µ‚ÄŒˆ‚Ü‚Á‚½ŽO‚‚̎¿–â‚ð‚·‚éB
@‰p•¶‚Ì1—áBìŽÒ•s‹LA‘è–¼•s‹LA–`“ª‚ÍgIt was customary with the king of Prussia, when a new soldier cchiTЧŽgTHE JUVENILE PORT-FOLIO, AND LITERARY MISCELLANYhVOL.1 NO.13, 1813.1.9 Žû˜^jB
@‚Ü‚½ìŽÒ•s‹LgFREDERICK I. OF PRUSSIAhiTЧŽgTHE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTIONhVOL.19 NO.530, 1832.1.21 Žû˜^j

@©’‡BFƒWƒ‡ƒ“‰¤‚ªC“¹‰@’·‚ÉŽ¿–₵—rŽ”‚¢‚ª“š‚¦‚éB
@JAMES BALDWINgKING JOHN AND THE ABBOThigFIFTY FAMOUS STORIES RETOLDhNEW YORK, CINCINAATI, CHICAGO: AMERICAN BOOK COMPANY, 1896j

@‚Ü‚½A‘‰¤‚̉¡–\‚ð‚©‚í‚·‚½‚߂ɂ킴‚Æ‹ð–¯‚ð‰‰‚¶‚éuƒSƒbƒTƒ€‚Ì‹¶liŒ«lj‚Ì•¨Œêv‚©‚çˆê•”‚ð‘}“üB



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2026.4.17
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@B0009–@”ªd’ª@145‰ñ@Ž­“‡÷J’˜@ˆÁ–ó@w‘ä˜p“ú“úV•ñx‘å³1(1912).9.5-‘å³2(1913).2.20
@[Œš—u444]é°´“¿–ów‘ä˜pˆ¤‘•wlx‘æ3Í

@ŽGŽ‚ÉŒfÚ‚³‚ê‚Ä‚¢‚Ü‚·B
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@©ŽQlF‰oV•·‚ª‚ ‚邯‚¢‚¢‚Ü‚·B‚Ì‚¿Ž­“ˆ÷JwŠC‚Ì‹Œ†xi‘O•Òj”óŒû—²•¶ŠÚ1914.9.9i–{•¶‚ÍŽ­“‡÷Jj‘—§‘‰ï}‘ŠÙƒfƒWƒ^ƒ‹ƒRƒŒƒNƒVƒ‡ƒ“B
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2026.4.16
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@D0006–@è唨šF¬“` TAMANGO@i–@j”~—˜™ÖPROSPER MERIMEE ‰“¶•¡–ó@w¬àŒŽ•ñx7Šª7-9† 1916.7.25-9.25
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@©’F‰p–ó‚Ì1—áBEMILY MARY WALLER AND MARY HELENA DEY ‰p–ógTAMANGOhigTHE WRITINGS OF PROSPER MÉRIMÉEh‘æ3Šª THE MOSAIC, NEW YORK: CROSCUP & HOLBY COMPANY, 1905j



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@C1114–@Žœ‘P‰Æ@–ú”V@w“Œ•ûŽGŽx17Šª13† 1920.7.10

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2026.4.13
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2026.4.12
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@‰p–ó‚Ì1—áB‰p–óŽÒ•s‹LgTHE CANARY BIRDhNEW YORK: EDWARD DUNIGAN & BROTHER, 1849



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2026.4.11
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2026.4.10
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@B0141b–@”’‹{’†”VŠCˆÉŽi•vl@Žü‘‰êC–ó@w•w—Žž•ñx12Šú 1914.1.20

@©’FƒAƒƒŠƒJ‘æ19‘ã‘å“—Ì RUTHERFORD B. HAYESB•vl‚Í LUCY WEBB HAYESBWILLIAM H. CROOK ‚̉ñ‘z˜^‚É‚à‚Æ‚­´–óB
@MARGARITA SPALDING GERRY •Ò
@gXII. RUTHERFORD B. HAYES IN THE WHITE HOUSEhA
@gXIII. SOCIAL LIFE IN THE HAYES ADMINISTRATIONh
@igTHROUGH FIVE ADMINISTRATIONS: REMINISCENCES OF COLONEL WILLIAM H. CROOKhNEW YORK AND LONDON: HARPER & BROTHERS PUBLISHERS, 1910j



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2026.4.9
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@B0016–@”ª•Ÿ‰‰‹`@i‰pj‰Ä—ÎäÚE“ƒŽ CHARLOTTE MARIA TUCKER ’˜ ŽF–nŽz THOMAS OSMOND SUMMERS –ó@ãŠCE”N‹¦‰ï‘‹Ç
@[仉Ø10B-257]CHARLOTTE MARIA TUCKERB•M–¼A. L. O. E. [A LADY OF ENGLAND]gTHE CLAREMONT TALES, OR ILLUSTRATION OF THE BEATITUDESh1854B

@o”ŎЂ̕⑫‚Å‚·B
@©’FA. L. O. EgTHE CLAREMONT TALES; OR, ILLUSTRATION OF THE BEATITUDEShEDINBURGH: GALL AND INGLIS, Ч”N•s‹L



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2026.4.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@D0691b–@‘æŽl”ŽŽm@iTHE OTHER WISE MANj@(”üjžæ‘ÑŽ HENRY VAN DYKE ’˜A”ü‘’·˜V‰ï”ïŒ[ƒŽt•ê MRS. GEORGE FIELD FITCH –ó@ãŠCE’†‘¹‹³‘‹Ç1903^Š¿ŒûE¹‹³‘‹Ç1948.10Ä”Å

@©’FHENRY VAN DYKEgTHE OTHER WISE MANhNEW YORK & LONDON: HARPER & BROTHERS PUBLISHERS, [1895], 1907



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2026.4.7
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@A0244–@ˆ¤‘ŒŒ@iŒRŽ–¬àj@ŠæÎ¶@w—ç”q˜Zx14Šú@1914.9.5
@i“n•Ó_ŽijEDMONDO DE AMICISgCUORE"1886’†‚Ìg(NOVEMBRE) LA PICCOLA VEDETTA LOMBARDA(RACCONTO MENSILE)"

@©’F‰p–ó‚Ì1—áBEDMONDO DE AMICIS ìAISABEL F. HAPGOOD ‰p–ógiNOVEMBERjTHE LITTLE VIDETTE OF LOMBARDYiMONTHLY STORYjhigCUORE AN ITALIAN SCHOOLBOY'S JOURNAL A BOOK FOR BOYShNEW YORK: THOMAS Y. CROWELL & COMPANY, [1887], 1895j


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@E0117–@ˆ«•w“é˜TˆÄ@i‹Ç¼–¾ŽìˆÄ”VŒÜ@’ã’T¬àj@i•Ä“¿’˜@—kSˆê–ój@wŽž•ñx1909.9.23-10.2
@L. T. MEADEgTHE BLOODSTONE"©Œë‚èi’Ps–{gTHE SORCERESS OF THE STRAND"LONDONF WARD LOCK & CO LIMITED, 1904 ŠŽûjB

@©’FL. T. MEADEgTHE TEETH OF THE WOLFhi’Ps–{gTHE SORCERESS OF THE STRANDhLONDONF WARD LOCK & CO LIMITED, 1904 ŠŽûjB
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2026.4.6
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Z1250–@dbŒX‘‹L 41Í@i‰pjˆÐ˜AèÓŠiŽŽi’˜ æâ‘¸›Ô–ó@w“Œ•ûŽGŽx15Šª6†-16Šª6† 1918.6.15-1919.6.15
@WILLIAM TUFNELL LE QUEUXgBEHIND THE THRONEi‹ÊÀ‚ÌŒã‚ëjh1905BŒ´ì‚ÍgHER MAJESTY'S MINISTERh‚ł͂Ȃ¢

@o”ŎЂ̕⑫‚Å‚·B
@©’FLONDON: METHUEN & CO. LTD, [1905], 1914



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2026.4.5
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y2838–@籲“V˜^@i‰âj“©Žz‘׌´’˜ Œš¶A猶@wŽž•ñx1919.10.9-19
@TOLSTOI’˜

@©’F‰p–ó’Ps–{‚Ì1—áBCOUNT LEO TOLSTOIìAHERMAN BERNSTEIN ‰p–ógTHE FORGED COUPON, AND OTHER STORIEShNEW YORK: J. S. OGILVIE PUBLISHING COMPANY, 1912B
@Œ´‘è „U„@„L„]„Y„I„B„\„J „K„T„P„O„N ‹UƒN[ƒ|ƒ“



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2026.4.4
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y2249–@—E‰¤Žq@i‘·ŸyC•Ò–ój@ãŠCE¤–±ˆó‘ŠÙ “¶˜b1=50
@i”n•¶ˆÌjHOW THESEUS SLEW THE MINOTAUR

@©’FŠ¿–ó‚Í CHARLES KINGSLEYgTHE HEROES: OR, GREEK FAIRY TALES FOR MY CHILDRENhLONDON: MACMILLAN AND CO., 1889 ŠŽû‚ÌuSTORY 3.-THESEUSvPART 2gHOW THESEUS SLEW THE DEVOURERS OF MENh‚ÌŌ㕔•ªA‚¨‚æ‚Ñ PART 3gHOW THESEUS SLEW THE MINOTAURh‚É‚à‚Æ‚¢‚Ä‚¢‚Ü‚·B


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@B1235–@•s‘ª”VˆÐ i—ðŽj¬àj 2Šª ã‰ºŠª@i‰âjL.ÏϑŽz‘×’˜ i¤–±ˆó‘ŠÙ–ój@ãŠCE¤–±ˆó‘ŠÙ1915.10Ä”Å à•”‘p‘2=95
@ALEKSEI KONSTANTINOVICH TOLSTOIgTHE SILVER KINGhÏÏB
@‰p–ó‚Ì1—áBCOUNT ALEXIS TOLSTOI ìAJEREMIAH CURTIN ‰p–ógPRINCE SEREBRYANI, AN HISTORICAL NOVEL OF THE TIMES OF IVAN THE TERRIBLE AND OF THE CONQUEST OF SIBERIAhNEW YORK: DODD, MEAD & COMPANY, 1892B
@„@„L„E„K„R„E„J „K„O„N„R„S„@„N„S„I„N„O„B„I„X „S„O„L„R„S„O„Jg„K„N„`„H„] „R„E„Q„E„A„Q„`„N„\„J ƒZƒŒƒuƒŠƒƒƒkƒCŒöŽÝh1862

@©’Fœns•s‘ª”VˆÐt‰ºû“I38•Å’†A‰ÂˆÈQ“ž“àæšFŠ¿æ¡–{Œ´‘ì TCHEBOOZGAB—RŸC‰ä˜ì‰ÂˆÈ“¾’mŸ‘“I–|æ¡’ê–{¥”@‰º“I‰p•¶”ÅBCOUNT A. K. TOLSTOIiTOLSTOY, ALEKSEY KONSTANTINOVICH, GRAF.i”ŒŽÝj, 1817-1875j THE TERRIBLE CZAR; A ROMANCE OF THE TIME OF IVAN THE TERRIBLE. TRANSL. BY H. CLARE FILMORE, LONDON: SAMPSON LOW, MARSTON & CO., 1895.

@©’Fu‰p–ó‚Ì1—áv‚ÅŽ¦‚µ‚½”Å–{‚ª­‚µ‚Í‚¨–ð‚É—§‚Á‚½‚悤‚ÅK‚¢‚Å‚µ‚½B



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2026.4.3
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y2036–@‘é’ò¬‹Œ†@16Í@i‰pj—kŽxŒ´’˜@—Ñ紓A’‰Ɨٓ¯–ó@ãŠCE¤–±ˆó‘ŠÙ1916.5
@CHARLOTTE MARY YONGEgTHE DOVE IN THE EAGLE'S NEST"1866[‘×—ˆ053]

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FBY THE AUTHOR OF THEgHEIR OF REDCLYFFE"iCHARLOTTE M. YONGEjgTHE DOVE IN THE EAGLE'S NESTh‘S2û, LONDON: MACMILLAN AND CO., 1866B
@Š¿–ó‚ÍŒ´ì‘S25Íi‘æ1û13ÍA‘æ2û12Íj‚Ì‚¤‚¿‚Ì‘æ24Íi‘æ2û‘æ11Íj‚Ü‚Å‚É‚à‚Æ‚¢‚Ä‚¢‚Ü‚·B



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2026.4.2
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@L1306b–@—Ñm”V‰Æ’ë¶Šˆ@i”üjŽQ«Ž—…Ž’˜ iŽüj‘‰êC–ó@w•w—Žž•ñx9Šú 1913.2.25

@©’FWILLIAM H. CROOK ‚̉ñ‘z˜^‚É‚à‚Æ‚­´–óB
@MARGARITA SPALDING GERRY •Ò
@gI. LINCOLN AS I KNEW HIMhA
@gII. THE WHITE HOUSE FAMILY AND OTHER PEOPLEhA
@gIII. THE ENTRANCE INTO RICHMONDhA
@gIV. A NEW PHASE OF THE ASSASSINATIONh
@igTHROUGH FIVE ADMINISTRATIONS: REMINISCENCES OF COLONEL WILLIAM H. CROOKhNEW YORK AND LONDON: HARPER & BROTHERS PUBLISHERS, 1910j



@@



2026.4.1
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Q1572–@H“”æ‹û@i”üj•ï˜D‰GˆöŒ´’˜@—Ñ紓A’‰Ɨٓ¯–ó@ãŠCE¤–±ˆó‘ŠÙ1916.4
@JAMES BALDWIN"THIRTY MORE FAMOUS STORIES RETOLD"1905B

@o”ŎЂ̕⑫‚Å‚·B
@©’FNEW YORK, CINCINNATI, CHICAGO: AMERICAN BOOK COMPANY, 1905



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2026.3.31
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y1793–@‹â•€‹L@iŠïî¬àj@iŽüj‘‰êC@wíàx1917.11.1-4
@ARTHUR CONAN DOYLEgTHE SILVER HATCHET"(gLONDON SOCIETY"1883.12 CRISTMAS EDITIONB‚Ì‚¿gMYSTERIES AND ADVENTURES"1889ŠŽû)‚¾‚낤

@©’FŒ´ì‚Íã‹L‚ŊԈႢ‚ ‚è‚Ü‚¹‚ñB—“ŠO•\ަ‚Íwíà•ñxB



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2026.3.30
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@B0639–@ŠLŽ’ã’T’k@‰•ÒA‘±•Ò@i’ã’T¬àj@㉺û@i‰pj”nŽ’O‘ø•Û“¿Œc’˜@—Ñ紓A’‰Ɨٖó@ãŠCE¤–±ˆó‘ŠÙ1915.10Ä”Å@à•”‘p‘2=27, 28
@MATTHIAS McDONNEL BODKINgTHE QUESTS OF PAUL BECK"1908

@o”ŎЂ̕⑫‚Å‚·B
@©’FLONDON: T. FISHER UNWIN, 1908



@@



2026.3.29
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y1717–@ˆÓ’†l@iˆ¤îŠìŒ€@‰pŠ¿‘Ζój@i‰pj‰¤Ž¢“¿’˜@åLûh‰l—Žm–ó@w”NŽGŽx1Šª2†-wV”Nx2Šª2†@1915.10.15-1916.10.1
@OSCAR WILDEgAN IDEAL HUSBAND, A PLAYh

@o”ŎЂ̕⑫‚Å‚·B
@©’FLONDON: METHUEN & CO. LTD. [1899], 1903



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2026.3.28
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y1530–@ˆÙ»‹L@Žj‹ã¬@w¬àŒŽ•ñx7Šª8†@1916.8.25
@i“n•Ó_ŽijH. G. WELLSgTHE CRYSTAL EGG"1897.5B‘nì‚ł͂Ȃ­A–|–ó

@©’F‰o‚ÍgTHE NEW REVIEWhV16 #96, 1897.5B
@‚Ì‚¿gTHE COUNTRY OF THE BLIND AND OTHER STORIEShLONDON AND EDINBURGH: THOMAS NELSON AND SONS, 1911 ŠŽû



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2026.3.27
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y1418–@ˆÈ“¿•ñ‰…@i”üj¹Ži‰q•á•vlŒ´’˜ —Ñ紓A–Ñ•¶ß“¯–ó@ãŠCE¤–±ˆó‘ŠÙ1922.1
@EMMA D. E. N. SOUTHWORTHgTHE BRIDE OF LLEWELLYNh1864ÏÏ[’£Ž¡20]1866”N[‘×—ˆ052]1864ÏÏ

@o”ŎЂ̕⑫‚Å‚·B
@©’FMRS. EMMA D.(DOROTHY) E.(ELIZA) N.(NEVITTE) SOUTHWORTHgTHE BRIDE OF LLEWELLYNhPHILADELPHIA: T. B. PETERSON & BROTHERS,[c1866]



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2026.3.26
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y1220–@š€嘻\‰¥ iŒ´–¼ THE MAN OF DESTINY —ðŽjŒ€–{j@i‰pj–u\“ÁŒC BERNARD SHAW’˜ 苕‹¶–ó@wtºx2W •¸’C”N‹Œ—ï2.1i1916.3.4j
@[”Ñ’Ë14-168]THE MAN OF DESTINY. ‘æ2ŠúA1916.3

@©’F–{•¶•\ަ‚Í”ü‘ÏÏ–u\“ÁŒC BERNARD SHAW ’˜B
@BERNARD SHAWgTHE MAN OF DESTINYhigPLAYS: PLEASANT AND UNPLEASANThTHE SECOND VOLUME, CONTAINING THE FOUR PLEASANT PLAYS, LONDON: GRANT RICHARDS, 1898 ŠŽûj
@–{ƒEƒFƒuƒTƒCƒg2026.2.18•t‚ŗΈߗŽmA—âi’ÂŒiŠØj–óu\”j›Äv‚ðЉ‚Ü‚µ‚½B“¯‚¶Œ´ì‚Å‚·B



@@



2026.3.25
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

Y1182–@ˆê–œ‹ãçáú@i’ã’T¬àj@i‰pj”Ê•Ÿ“¿—Ï”[’˜@¤–±ˆó‘ŠÙ•Ò–óŠ–ó@ãŠCE¤–±ˆó‘ŠÙ ’š–¢8(1907)^1914.4Ä”Å@à•”‘p‘1=77
@BURFORD DELANNOYg’19,000(NINETEEN THOUSAND POUNDS)h1900

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FBURFORD DELANNOYgg’19,000hhNEW YORK: R. F. FENNO & COMPANY, 1900



@@



2026.3.24
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y0750–@ˆÉŽ¢•¶Œ©•·ŽG‹L iŒ´•¶ •Š¿•¶Žß‹`j@ãŠCE¤–±ˆó‘ŠÙ1911ˆÈ‘OÏÏ
@WASHINGTON IRVINGgTHE SKETCHBOOKÏÏhWITH NOTES

@©’FWASHINGTON IRVINGgTHE SKETCH BOOK OF GEOFFREY CRAYON, GENT.h1820B
@”Å–{‚Ì1—áBVOL.1AVOL.2ALONDON: JOHN MURRAY, 1821



@@



2026.3.23
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y0739–@ˆê’iŒÌŽ–@NEWBOLD NOYES ’˜@‰„—Ë–ó@w¬àŒŽ•ñx11Šª11†@1920.11.25

@©’FNEWBOLD NOYESgTHE END OF THE PATHhigEVERY WEEKhVOL. 1 NO. 11, 1915.7.21jB
@‚Ì‚¿ EDWARD J. O'BRIEN •ÒgTHE BEST SHORT STORIES OF 1915: AND THE YEARBOOK OF THE AMERICAN SHORT STORYhBOSTON: MAYNARD & COMPANY, 1916 ŠŽû



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2026.3.22
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y0716–@ˆê‹wŽO‰… i¥Ž–¬àj@i”üj¹ŽzŒb•vl’˜@¤–±ˆó‘ŠÙ•Ò–óŠ@ãŠCE¤–±ˆó‘ŠÙ1907.12^1914.4Ä”Å à•”‘p‘1=90
@[’£Ž¡20B]EMMA DOROTHY ELIZA NEVITTE SOUTHWORTHi1819-99j, THE MISSING BRIDE; OR, MIRIAM, THE AVENGER, 1855

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FMRS. EMMA D. E. N. SOUTHWORTHgTHE MISSING BRIDE; OR, MIRIAM, THE AVENGERhPHILADELPHIA: T. B. PETERSON AND BROTHERS, 1855



@@



2026.3.21
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y0692–@ˆê•S\ŽOˆÄ@i–@j‰Ã•óލ@V–¯ŽÐ1915.11
@ÉMILE GABORIAUgLE DOSSIER NO.113h1867i‰p–ógFILE NO.113"j

@©’FŠ¿–ó•\ކ‚Í’ã’T¬àuˆê•S\ŽOˆÄvA–{•¶‚Æ’Œ‚Íu‘æˆê•S\ŽOˆÄv
@‰p–ó’Ps–{‚Ì1—áBEMILE GABORIAU ìA‰p–óŽÒ•s‹LgFILE NO. 113hBOSTON: JAMES R. OSGOOD AND COMPANY, 1875
@‚Ü‚½w¬à—Ñx˜AÚ‚Ìu‘æˆê•S\ŽOˆÄv‚͉p–ó‘æ16Í‚Ü‚Å‚ðŠ¿–ó‚µ‚Ä’†’fB



@@



2026.3.20
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Y0555–@–ë穌Ig‘å—ª@i‰pj”ã—L•¶JOSHUA VALE–ó@ãŠCELŠw‰ï1917
@[Žq–QC344]CONDER, EUSTACE R. ’˜AVALE, J. –ógOUTLINES OF THE LIFE OF CHRISThãŠCSDK 1903

@©’FEUSTACE R. CONDERgOUTLINES OF THE LIFE OF CHRIST: A GUIDE TO THE STUDY OF THE CHRONOLOGY, HARMONY, AND PURPOSE OF THE GOSPELSh[LONDON:]THE RELIGIOUS TRACT SOCIETY, 1887



@@



2026.3.19
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@—d髠繯Žñ‹L@i‰pj”b•¶Œ´’˜ —Ñ紓A–Ñ•¶ß“¯–ó@w¬à¢ŠEx2Šª8Šú-3Šª9Šú 1923.5.25-8.31
@MARJORIE BOWENiGABRIELLE CAMPBELLjgCARNIVAL OF FLORENCEh1915
@[‘×—ˆ115]MARJORIE BOWEN ˆ× GABRIELLE CAMPBELL •M–¼

@©’F–{–¼‚Í MARGARET GABRIELLE VERE LONGi‹Œ© CAMPBELLA1885-1952jA•M–¼‘½”B
@o”ŎЂÌ1—áBNEW YORK: E. P. DUTTON AND COMPANY, 1915



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2026.3.18
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H2726–@œa¯’D–¹˜^ iŽÐ‰ï¬àj@i‰pj™È—Œ“¾˜`N‘øšºŽŽ¢Ži’˜ —Ñ紓Aé°ˆÕ–ó@ãŠCE¤–±ˆó‘ŠÙ1915.1Ä”Å à•”‘p‘2=34
@[’£Ž¡B]‚ЂƂè‚Ì–¼‘OCHARLOTTE O'CONOR ECCLESgTHE MATRIMONIAL LOTTERYh1906

@o”ŎЂ̕⑫‚Å‚·B
@©’FLONDON: EVELEIGH NASH, 1906



@@






2026.3.17
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@C0087–@Žcä‰gº˜^ iˆ£î¬àj@i‰pj‹cˆõ‘ªŽŸŠó—Œ’˜ —Ñ.•Mq ’‰Ɨٌû–ó@w¬àŒŽ•ñx3”N7Šú-3Šª11† 1912.10-1913.2.25
@[’£Ž¡B]WINSTON CHURCHILLgSAVROLA; A TALE OF THE REVOLUTION IN LAURANIAh1899(gMACMILAN'S MAGAZINh. ’Ps–{1900j[’£Ž¡20C-72]

@’Ps–{o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FWINSTON SPENCER CHURCHILLgSAVROLA: A TALE OF THE REVOLUTION IN LAURANIAhigMACMILLAN'S MAGAZINEh1899.5-12jB
@’Ps–{ LONDON AND BOMBAY: LONGMANS, GREEN, AND CO., 1900



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2026.3.16
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X3090–@ŒŒ”V‰Ô@‘hŠi—–¬à‰ÆŽ{‚’EŒ´’˜ ‰Žq ’Ž•M@wVV¬àx9-10Šú Œõ32.5.1-Œõ33.4.1(1906.6.22-1907.5.12)
@WALTER SCOTT’˜

@©’FWALTER SCOTTgTALES OF A GRANDFATHER; BEING STORIES TAKEN FROM SCOTTSIH HISTORYhVOL.I. EDINBURGH: PRINTED FOR CADELL AND CO., 1828 ‚Ì
@gCHAP.V. THE STORY OF SIR WILLIAM WALLACEhA
@gCHAP.VI. OF THE RISE OF ROBERT THE BRUCEhA
@gCHAP.VII. OF THE EXPLOITS OF DOUGLAS AND OF RANDOLPHh–`“ª‚܂łðŽå‚Æ‚µ‚ÄŠ¿–óB



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2026.3.15
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X3080–@ŒŒˆó‘™º‹L 30Í@i’£j‹BŠ¿Ai•ïj“VΓ¯–ó@w¬àŽž•ñx13-15Šú é“3.8.15(1911.10.6)-1912.4.5
@i“n•Ó_ŽijGASTON LEROUXgLE MYSTÈRE DE LA CHAMBRE JAUNEh1907B

@‰p–ó‚̕⑫‚Å‚·B
@©’FGASTON LEROUX ìA‰p–óŽÒ•s‹LgTHE MYSTERY OF THE YELLOW ROOM. EXTRAORDINARY ADVENTURES OF JOSEPH ROULETABILLEhNEW YORK: GROSSET & DUNLAP, 1908



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2026.3.14
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X2036–@V“V•û–éæ@iŽÐ‰ï¬àj 2Šª@i‰pj˜HˆÕŽi’n•¶@i‰pj•§“òŽi’n•¶“¯S@閩Œò—Ñ紓A’·Šy‘\@èÝ–ó@ãŠCE¤–±ˆó‘ŠÙ •è\6(1908)^1914.4Ä”Å@à•”‘p‘1=97
@ROBERT LOUIS STEVENSON, FANNY VAN DE GRIFT STEVENSONgMORE NEW ARABIAN NIGHTS: THE DYNAMITER"1885

@©’Fo”ŎЂÌ1—áBLONDON: LONGMANS, GREEN, AND CO., 1885
@ˆÈ‰º‚Í–¾×‚Å‚·B
@@ŠªãF
@á‰Ö‰¥ PROLOGUE OF THE CIGAR DIVANA
@Ž@—Ï\•ϋƈוï’T CHALLONER'S ADVENTURE:iTHE SQUIRE OF DAMESjA
@–ÍÛiCHALLONER'S ADVENTURE:jSTORY OF THE DESTROYING ANGELA
@Å—˜YŽû‹Ç THE SQUIRE OF DAMES (Concluded)A
@ż–€àì–`Œ¯@ÅLœL SOMERSET'S ADVENTURE: THE SUPERFLUOUS MANSIONA
@˜V—Ž©’Âg¢ NARRATIVE OF THE SPIRITED OLD LADYA
@@Šª‰ºF
@‘±ÅLœL THE SUPERFLUOUS MANSION (Continued)A
@‘sŽzŽ©q ZERO'S TALE OF THE EXPLOSIVE BOMBA
@Ä‘±LœL THE SUPERFLUOUS MANSION (Continued)ADESBOROUGH'S ADVENTURE: THE BROWN BOXA
@ŒÃ”b”ülީŠSTORY OF THE FAIR CUBANA
@‹Lž¢Fâ¸y THE BROWN BOX (Concluded)A
@‘±ÅLœL”VŽû‹Ç THE SUPERFLUOUS MANSION (Concluded)A
@á‰Öãæ”VŒ‹‘© EPILOGUE OF THE CIGAR DIVAN



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2026.3.13
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X1162–@¬‰p—Y@16‰ñ@2ûÏÏ@i”üj•à“Þ“Á’˜@i”üj—ºŠyŒŽ–ó@i’Ât¶–ój@ãŠCELŠw‰ï1905.1^1923.9Ä”Å^1930.4ŽO”Å^1941.3ŒÜ”Å
@FRANCES ELIZA HODGSON BURNETTgLITTLE LORD FAUNTLEROY"1886

@©’FFRANCES HODGSON BURNETTgLITTLE LORD FAUNTLEROYhNEW-YORK: CHARLES SCRIBNER'S SONS, 1886
@Š¿–ó‚ɂ͑‚«Š·‚¦‚ª‚ ‚è‚Ü‚·B



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2026.3.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ă̕⑫‚Å‚·B

@‡@X1038–@ú‰ŒP“¹@‰p‘—ì‰Æ”œäÚ•êFAVELL L. MORTIMER’˜ ‰p‘z“¹Œö‰ï‹`–±‹³Žm˜êŽmGEORGE PIERCY–ó@LB1862–{
@[仉Ø10B-340]gPEEP OF DAYh

@‡AX3152–@ŒPŽ™^Œ¾@i‰pj”œäÚ•êFAVELL L. MORTIMER’˜ i”üj‰ÔŽT’ºS. HOLMESŒû–ó Žü•¶Œ¹•Mq@ãŠCE”ü‰Ø‘ŠÙ1867“ñŽŸdèb^1874^1882
@[仉Ø10B-346]gPEEP OF DAYh1836

@‡BZ0782b–@³“¹Œ[–Ö@i‰pjFAVELL L. MORTIMER’˜ HARTWELL. C. –ó@•ŸBEé“à‘¾•½ŠX•Ÿ‰¹“°1871^1874
@[’M–{‚c]“¯Ž¡\i1871j”N[Žq–QC114]HARTWELL, C. –ógPEEP OF DAYhA1871^1874

@©’F’Ps–{‚Ì1—áBFAVELL LEE MORTIMERgTHE PEEP OF DAY: OR, A SERIES OF THE EARLIEST RELIGIOUS INSTRUCTION THE INFANT MIND IS CAPABLE OF RECEIVING, WITH VERSES ILLUSTRATIVE OF THE SUBJECTShNEW-YORK: JOHN S. TAYLOR & CO., 1845



@


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2026.3.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X0954–@¬ŒöŽå iŠw“°¬àj@•à“Þ“Á’˜ i”üj—ºŠyŒŽ–óˆÓ ŽüûK˜N‰‰˜b@ãŠCELŠw‰ï1914
@FRANCES ELIZA HODGSON BURNETTgSARA CREWEh1888

@©’FFRANCES HODGSON BURNETTgSARA CREWE, OR WHAT HAPPENED AT MISS MINCHIN'ShNEW YORK: CHARLES SCRIBNER'S SONS. 1888



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2026.3.10
@Š¿–ó‚ÌŒ´ì‚ÉŠÖ˜A‚·‚é•â‘«‚Å‚·B

@X0086–@¼“z—Ñ›P¬“` iŒ¾î¬àj@i‰pjˆÀ“Œ“ò‰ê”—’˜ —Ñ紓Aé°ˆÕ“¯–ó@¤–±ˆó‘ŠÙ é“1.7(1909) V–ó
@ANTHONY HOPE(ANTHONY HOPE HAWKINS)gA MAN OF MARKh1890[‘×—ˆ072]

@©’Fo”ŎЂÌ1—áBLONDON: REMINGTON & CO PUBLISHERS, 1890



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2026.3.9
@Š¿–ó‚ÌŒ´ì‚ÉŠÖ˜A‚·‚é•â‘«‚Å‚·B

@X0069–@¼—˜ˆŸŒSŽå•Ê“` iŒ¾î¬àj 2Šª ã‰ºŠª@i‰pj”nŽx–Г¿’˜ —Ñ紓Aé°ˆÕ–ó@ãŠCE¤–±ˆó‘ŠÙ •è\8.14(1908.9.9)^1915.10.9ŽO”Å à•”‘p‘2=18
@ARTHUR W. MARCHMONTgFOR LOVE OR CROWNh1901[‘×—ˆ049]

@©’Fo”ŎЂÌ1—áBNEW YORK: B. W. DODGE & COMPANY, 1901



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2026.3.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@X0056–@Šóäc_˜b@i_‰ö¬àj@i‰pj”b“¿•¶’˜@¤–±ˆó‘ŠÙ•Ò–óŠ–ó@ãŠCE¤–±ˆó‘ŠÙ@’š–¢6(1907)^1914.4Ä”Å@à•”‘p‘1=69
@JAMES BALDWINgOLD GREEK STORIES"(ªŠÝ@ˆê˜Y)

@©’FˆÈ‰º‚Í×–Ú‚Å‚·B
ŠJ’[‘æˆê JUPITER AND HIS MIGHTY COMPANYA
‹à¢‘æ“ñ THE GOLDEN AGEA
Œ´‰Î‘æŽO THE STORY OF PROMETHEUS. I. HOW FIRE WAS GIVEN TO MENA
‰Ð¢‘æŽl THE STORY OF PROMETHEUS. II. HOW DISEASES AND CARES CAME AMONG MENA
’v”±‘æŒÜ THE STORY OF PROMETHEUS. III. HOW THE FRIEND OF MEN WAS PUNISHEDA
ƒ…‘æ˜Z THE FLOODA
•Ï‹‘掵 THE STORY OF IOA
ܣDԾӻ THE WONDERFUL WEAVER. I. THE WARPAII. THE WOOFA
Šw¶‘æ‹ã THE LORD OF THE SILVER BOW. I. DELOSA
’†‰›‘æ\ THE LORD OF THE SILVER BOW. II. DELPHIA
‰»Ž÷‘æ\ˆê THE LORD OF THE SILVER BOW. III. DAPHNEA
謊•ñ‘æ\“ñ THE LORD OF THE SILVER BOW. IV. DELUDEDA
•œ‹w‘æ\ŽO THE LORD OF THE SILVER BOW. V. DISGRACEDA
–q“z‘æ\Žl ADMETUS AND ALCESTIS. I. THE SLAVEA
‰íŽÔ‘æ\ŒÜ ADMETUS AND ALCESTIS. II. THE CHARIOTA
ŠÒ°‘æ\˜Z ADMETUS AND ALCESTIS. III. THE SHADOW LEADERA
–K–…‘æ\޵ CADMUS AND EUROPA. I. THE BULLA
æ’m‘æ\”ª CADMUS AND EUROPA. II. THE PYTHIAA
“j—´‘æ\‹ã CADMUS AND EUROPA. III. THE DRAGONA
蓺l‘æ“ñ\ CADMUS AND EUROPA. IV. THE CITYA
•‚ŠC‘æ“ñ\ˆê THE QUEST OF MEDUSA'S HEAD. I. THE WOODEN CHESTA
ŽŽ—𑿓ñ\“ñ THE QUEST OF MEDUSA'S HEAD. II. THE MAGIC SLIPPERSA
—v‹²‘æ“ñ\ŽO THE QUEST OF MEDUSA'S HEAD. III. THE GRAY SISTERSA
“ÙŒ`‘æ“ñ\Žl THE QUEST OF MEDUSA'S HEAD. IV. THE WESTERN MAIDENSA
éd—d‘æ“ñ\ŒÜ THE QUEST OF MEDUSA'S HEAD. V. THE DREADFUL GORGONSA
ŠCb‘æ“ñ\˜Z THE QUEST OF MEDUSA'S HEAD. VI. THE GREAT SEA BEASTA
‹~•ê‘æ“ñ\޵ THE QUEST OF MEDUSA'S HEAD. VII. THE TIMELY RESCUEA
ΑՠԾҖ\ӻ THE QUEST OF MEDUSA'S HEAD. VIII. THE DEADLY QUOITA
ŒF•ê‘æ“ñ\‹ã THE STORY OF ATALANTA. I. THE BEAR ON THE MOUNTAINA
èk’Y‘æŽO\ THE STORY OF ATALANTA. II. THE BRAND ON THE HEARTHA
彘梑æŽO\ˆê THE STORY OF ATALANTA. III. THE GIFTS ON THE ALTARSA
àØè‚‘æŽO\“ñ THE STORY OF ATALANTA. IV. THE HUNT IN THE FORESTA
‹à‰Ê‘æŽO\ŽO THE STORY OF ATALANTA. V. THE RACE FOR A WIFEA
ŠJ‰»‘æŽO\Žl THE HORSE AND THE OLIVE. I. FINDING A KINGA
žëŸS‘æŽO\ŒÜ THE HORSE AND THE OLIVE. II. CHOOSING A NAMEA
•Êú‘æŽO\˜Z THE ADVENTURES OF THESEUS. I. ÆGEUS AND ÆTHRAA
ˆá•ê‘æŽO\޵ THE ADVENTURES OF THESEUS. II. SWORD AND SANDALSA
Œ€“‘æŽO\”ª THE ADVENTURES OF THESEUS. III. ROUGH ROADS AND ROBBERSA
Šp—Í‘æŽO\‹ã THE ADVENTURES OF THESEUS. IV. WRESTLER AND WRONG-DOERA
“S଑æŽl\ THE ADVENTURES OF THESEUS. V. PROCRUSTES THE PITILESSA
’©•ƒ‘æŽl\ˆê THE ADVENTURES OF THESEUS. VI. HONOR AND HOMEA
ŽE–ÑæŽl\“ñ THE WONDERFUL ARTISAN. I. PERDIXA
‹Ž‘‘æŽl\ŽO THE WONDERFUL ARTISAN. II. MINOSA
”ò“Ù‘æŽl\Žl THE WONDERFUL ARTISAN. III. ICARUSA
–âß‘æŽl\ŒÜ THE CRUEL TRIBUTE. I. THE TREATYA
“üv‘æŽl\˜Z THE CRUEL TRIBUTE. II. THE TRIBUTEA
æn‰ö‘æŽl\޵ THE CRUEL TRIBUTE. III. THE PRINCESSA
•”¿‘æŽl\”ª THE CRUEL TRIBUTE. IV. THE LABYRINTH.



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2026.3.7
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@W0340–@–ÏŒ¾–Ï’®@i‰pj”üX’˜@—Ñ紓A’‰Ɨٓ¯–ó@w¬àŒŽ•ñx10Šª3-12†@1919.3.25-12.25
@[’£Ž¡B]EUGENE MASONgAUCASSIN & NICOLETTE AND OTHER MEDIAEVAL ROMANCES AND LEGENDS"B

@©’F”Å–{‚Ì1—áBEUGENE MASONgAUCASSIN & NICOLETTE AND OTHER MEDIAEVAL ROMANCES AND LEGENDS TRANSLATED FROM THE FRENCH BY EUGENE MASONhLONDON: J. M. DENT & SONS LTD., NEW YORK: E. P. DUTTON & CO., [1910], 1912



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2026.3.6
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚Æ’ù³‚ЂƂÂB

@T0055–@‘×’JŽ™¬à@i‰pŠ¿‡àøj@‘æ1S@ãû@iˆój‘×’JŽ™’˜@‰¤–õ–ó@ãŠCE‘דŒ}‘‹Ç1920.10
@RABINDRANATH TAGOREgTHE POSTMASTER AND OTHER STORIES"©•\ކ‚Ì•\ަ

@©’F’Ps–{‚Ì1—áBSIR RABINDRANATH TAGORE ìAVARIOUS WRITERS ‰p–ógMASHI AND OTHER STORIEShLONDON: MACMILLAN AND CO., LIMITED, 1918

@Y0696–ˆê•SŒÜ\ŽOΔV’·•a‘åå i—ðŽj¬àj@i‰pj“RXŽiÏÏŒ´’˜ ŽéŽ÷l–ó@w¬àŒŽ•ñx2”N—ÕŽžúЧ é“3.‰[6.25(1911.8.19)
@CHARLES DICKENSgDOMBEY AND SONh1848 ‘æ41Í©Œë‚è‚Å‚·B

@©’Fu‰p“RXŽiŒ´’˜v‚Æ‹LÚ‚³‚ê‚Ä‚¢‚Ü‚·B‚µ‚©‚µƒfƒBƒPƒ“ƒY‚ł͂Ȃ³‚»‚¤‚Å‚·B



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2026.3.5
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2717–@‘hŠi—–“Æ—§‹L 1-2û@’Âƒàø–ó i“ŒŠCŠo‰äi™”OŽœjŽŒj ¬à—Ñ‘•Ò–óŠ•ÒS@ãŠCE¬à—ÑŽÐ 1906.7‘æ1û 1908.5‘æ2û ¬à—Ñi‘p‘j

@©’FMISS JANE PORTERgTHE SCOTTISH CHIEFSh1810‰”ÅB’Ps–{‚Ì1—áBLONDON: GEORGE VIRTUE,[1840]
@Š¿–ó‘æ1û‚Ì”­’[A‘æ1-10‰ñ‚ÍŒ´ì‘æ1-21͂ɊY“–‚µ‚Ü‚·B

@S2719–@‘hŠi—–“Æ—§‹L@Šª“ñŠªŽO@i—ðŽj¬àj@11-28‰ñ@—Žm’Âƒàø–ó@“ŒŠCŠo‰äi™”OŽœjŽŒ@w¬à—Ñx1-12Šú@Œõ33.1-•è\9(1907.2-1908.10)

@“¯‚¶‚­AŠ¿–󊪓ñ‘æ11-20‰ñ‚ÍŒ´ì‘æ22-33Í‚ÉAŠ¿–󊪎O‘æ21-28‰ñ‚ÍŒ´ì‘æ34-50͂ɊY“–‚µ‚Ü‚·B
@“oêl•¨‚̈ꕔ‚ÍAŒb—õE˜aލŽm William WallaceA”n—˜ˆÀ Marion BraidfootAŽmœf‘´ ScrymgeourB



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2026.3.4
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2396–@Å’ª@i’£j•ÉŒæ–ó@w¬àŒŽ•ñx10Šª7† 1919.7.25

@©’FƒCƒ^ƒŠƒA‚Ì‹™Žtƒ}ƒUƒjƒGƒbƒi’Zk–¼FMASANIELLOB–{–¼FTOMMASO ANIELLOA1620-1647j•¨ŒêB
@H.(HERBERT) GREENHOUGH SMITHgREAL-LIFE ROMANCES, ‡V. MASANIELLOhigTHE STRAND MAGAZINE (US)hV46 #273, 1913.10j



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2026.3.3
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2246–@™ÔFŽq噀ŒŒV‰¶‹L@i—Ï—¬àj@ã‰ºŠª@i‰pj‘åŒGŽ—ÍŽiäÚ–s—‹’˜@—Ñ紓Aé°ˆÕ“¯–ó@¤–±ˆó‘ŠÙ Œõ33.9(1907)
@DAVID CHRISTIE MURRAYgTHE MARTYRED FOOLh1895[‘×—ˆ065]

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FDAVID CHRISTIE MURRAYgTHE MARTYRED FOOL, A NOVELhNEW YORK: HARPER & BROTHERS PUBLISHERS, [1894], 1895



@



2026.3.2
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S2242–@™Ôü‹L iˆê‘è’Wg‹à|èrj 24‰ñ 3û@i‰pj–ï—â’˜ i’ÂjˆíŽòŒû–ó iåLjG‹Ê•Mq@ãŠCE’†ŠO“ú•ñŠÙ Œõ29(1903)
@i‘K“ìGjELLEN THORNEYCROFT FOWLERgA DOUBLE THREADh1899

@Š¿–ó•\ކ‚Í•tŒšMA’£á‰Ô•Ò’˜w´–––¯‰V¬à•¶Œ£–˜^—^Œ¤‹†i´––Šªjxi’†‘ŽÐ‰ï‰ÈŠwo”ÅŽÐi‹[j2026B“dŽš”ÅB391•Åj‚æ‚èˆø—p‚µ‚Ü‚µ‚½B
@o”ŎЂ̕⑫‚Å‚·B
@©’FNEW YORK: D. APPLETON AND COMPANY, 1899



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2026.3.1
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1951–@mŽt@iŽÐ‰ï¬àj@i”üj•¶‹è·ŒK’˜@”¼™Ni—«”¼”_j–ó@w¬à‘åŠÏx6W@1916.6
@i“n•Ó_ŽijNATHANIEL HAWTHORNEg‡V. THE OLD-FASHIONED SCHOOL"igFAMOUS OLD PEOPLE: BEING THE SECOND EPOCH OF GRANDFATHER'S CHAIR"j

@o”ŎЂ̕⑫‚Å‚·B
@©’FBOSTON: TAPPAN & DENNET, 1842



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2026.2.28
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H0350@ŠØá¸‰¯Œê i‹{’ì¬àj@”¼™Ni—«”¼”_j@w¬à‘åŠÏx6W 1916.6

@‘nì‚ł͂Ȃ­–|–óBŠØá¸‚ÍŒ«‚¢Œ¢‚̌Ăі¼B
@©’FCÆSAR THE KING'Si–{–¼FDOGJOHN ERNEST HODDER-WILLIAMSjgWHERE'S MASTER?hLONDON: HODDER & STOUGHTON, 1910



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2026.2.27
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@ˆÈ‰º‚ÌŠ¿–óŒ´ì‚Í‚¢‚¸‚ê‚à JAMES BALDWINgFIFTY FAMOUS STORIES RETOLDhNEW YORK, CINCINAATI, CHICAGO: AMERICAN BOOK COMPANY, 1896 ‚Å‚·B

@‡@W1360b–@ŒÜ\ŒÌŽ–@“ŒŒà‹Œ‘·@w“Œ•ûŽGŽx8Šª5†-15Šª7† é“3.6.25i1911.7.20j-1918.7.15 @JAMES BALDWINgFIFTY FAMOUS STORIES RETOLDh
@[´–¯Š§75]‘¦‘·ŸyCA‘æ8Šª‘æ5†ŽŠ‘æ15Šª‘æ7†A1911.7.20i铎O”N˜ZŒŽ“ñ\ŒÜ“újŽŠ1918.7.15

uޏ–ÝvKING ALFRED AND THE CAKESA
u‰ú—_vKING CANUTE ON THE SEASHOREA
uˆÐ—õŽOŽqvTHE SONS OF WILLIAM THE CONQUERORA
u‰Í–k’q™ÕvOTHER WISE MEN OF GOTHAMA
u‰Í–k’q™Õ“ñvTHREE MEN OF GOTHAMA
u–q—rŽ™”V‘ΖâvKING JOHN AND THE ABBOTA
uŽ©Ÿ•s•œÎáávTHE WHITE SHIPA
u­”N”V“¾‹ôvA STORY OF ROBIN HOODA
u’ç‰Í”V––˘YvTHE MILLER OF THE DEEA
u”t…Ž€‘å«vSIR PHILIP SIDNEYA
u•sdvTHE UNGRATEFUL SOLDIERA
u•«ŒRvTHE BLACK DOUGLASA
u’wå”V˜I•zvBRUCE AND THE SPIDERA
uˆêˆß”qŽÝvSIR WALTER RALEIGHA
uŽO‘«Žl‘«”V•¨vBALDWIN –¢Žû˜^iOEDIPUS AND THE SPHINXjA
u‰p—Y”VŽã—vGRACE DARLINGA
u‰p—Y”V«Ž¿vBALDWIN –¢Žû˜^iŽOl‚Ì‘§ŽqA•s–¾jA
uŽm“Æ—§ˆêvTHE STORY OF WILLIAM TELLA
u‘àvTHE BELL OF ATRIA
uá–é“nˆŸ”ÚvHOW NAPOLEON CROSSED THE ALPSA
u”_•vˆ×‘å«vTHE STORY OF CINCINNATUSA
uˆŸ—ðŽR‘å”V‘å‰G‹£vDIOGENES THE WISE MANA
u—…”n”V”s«vTHE STORY OF REGULUSA
uéŽq›ß±áávJULIUS CÆSAR ‚Ù‚©A
u‰È“ò—õˆŸ”V•óvCORNELIA'S JEWELSA
u“ñ’íŽqvBALDWIN –¢Žû˜^i•s–¾jA
uˆê‰æ”V‘‘vA LACONIC ANSWERA
u—…”n”V•ŽmvHORATIUS AT THE BRIDGEA
u’鉤”V“à—evTHE SWORD OF DAMOCLESA
ud‹`‘ˆŽ€vDAMON AND PYTHIASA
uˆŸ—ðŽR‘å”V­”NvALEXANDER AND BUCEPHALUSA
uŽz”b’B”VŽO•SlvTHE BRAVE THREE HUNDREDA
u¬‹gŽv”V‘évTHE KING AND HIS HAWKA
u‹³Ž‚vBALDWIN –¢Žû˜^iƒ‰ƒCƒIƒ“‚ÌŒãŒpŽÒA•s–¾jA
u~ÛvTHE BLIND MEN AND THE ELEPHANTA
u–qêAŽÒŒ¾vMAXIMILIAN AND THE GOOSE BOYA
iuˆã•n”V–òvjDOCTOR GOLDSMITHA
uˆê”Ñ“ïvTHE BARMECIDE FEASTA
u–³—¹Šú”VŒÌŽ–vTHE ENDLESS TALEA
uŠMŽF”ÚˆŸvCASABIANCAA
u–’†ŒÌŽ–ÏÏ[–’†‰Ô]vPICCIOLA


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@‡AW1368–@ŒÜ\çdŽ––ó•]@i‰pjà`Ž¢•¶Œ´•Ò ‰¤Š®”’–ó•]@ãŠCE”ü‰Ø‘ŠÙ THE AMERICAN PRESBYTERIAN MISSION PRESS 1913“~
@JAMES BALDWINgFIFTY FAMOUS STORIESÏÏhTRANSLATED AND CRITICISED BY JOSEPH L. KING, M. D.

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2026.2.26
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1334–Ž‚Žq•ñ‰¶ (ANDROCLES AND THE LION)@‘·ŸyC•Ò–ó@ãŠCE¤–±ˆó‘ŠÙ1913.8^1922.9”ª”Å “¶˜b1=16

@©’FgTHE LION AND THE MOUSEhigÆSOP'S FABLEShj
@‚¨‚æ‚ÑgANDROCLUS AND THE LIONhiJAMES BALDWINgFIFTY FAMOUS STORIES RETOLDhNEW YORK, CINCINAATI, CHICAGO: AMERICAN BOOK COMPANY, 1896j



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2026.2.25
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1067–@µ’{”ëH‹L@i”üj”g“Á GENE STRATTON PORTER ’˜@i‰pj‹G—”ã•vl MRS. DONALD MacGILLIVRAY–ó@ãŠCE‹¦˜a‘‹Ç1916
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@©’FiGENE STRATTON-PORTERjgTHE STRIKE AT SHANE'S: A PRIZE STORY OF INDIANAhBOSTON: THE AMERICAN HUMANE EDUCATION SOCIETY, 1893



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2026.2.24
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@‡@Y1377–@ˆâî‹L@i‰pj‰¤Ž¢“¿’˜ ’¾«m–ó@wV”Nx5Šª6†-6Šª3† 1918.12.15-1919.3.15
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@‡AS0561–@îŒë@i‰pj‰¤Ž¢“¿’˜ àN‰ÆŸ«–ó@wV’ªx1Šª3† 1919.3.1
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@©’FOSCAR WILDEgLADY WINDERMERE'S FAN: A PLAY ABOUT A GOOD WOMANhLONDON: ELKIN MATHEWS AND JOHN LANE, 1893



@@



2026.2.23
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S0209–@ŽOl‰e i’ã’T¬àj@i”üjŠy—ÑŽi˜NŽ¡’˜ ¤–±ˆó‘ŠÙ•Ò–óŠ–ó@ãŠCE¤–±ˆó‘ŠÙ •è\1(1908)^1914.4Ä”Å à•”‘p‘1=93
@LAWRENCE L. LYNCHgSHADOWED BY THREEh1879

@©’Fo”ŎЂ̕⑫‚Å‚·BCHICAGO: DONNELLEY, GASSETTE & LOYDE, 1879



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2026.2.22
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@Q0506–@œÊl–²@à½XŽi’˜ ‹£¶–ó@w¬àŽž•ñx21Šú 1914.1.15
@CHARLES DICKENSgCHRISTMAS CAROLh

@©’F”Å–{‚Ì1—áBCHARLES DICKENSgA CHRISTMAS CAROL, IN PROSE, BEING A GHOST STORY OF CHRISTMAShLONDON: CHAPMAN & HALL, 1843



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2026.2.21
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@P0143–@èÆè̉Πi’ã’T¬àj@i‰pj‰È“ì“¿‹`Ž¢Œ´’˜ –¢–óŽÒ–¼@w‡“VŽž•ñx1908.1.5-9
@ARTHUR CONAN DOYLE’˜

@©’FARTHUR CONAN DOYLEgA SCANDAL IN BOHEMIAh1891.7B
@Holmes”g—¯–oŽm
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2026.2.20
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0898–@—‹  iŒ´–¼THE KNIGHTERRANTRY)ÏÏ@MRS. HENRY WOODŒ´’˜ “S¿iúÂŽ÷珏j–ó@w¬àŒŽ•ñx7Šª11† 1916.11.25
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@©’FMRS. HENRY WOODgMARTYN WARE'S TEMPTATIONh‘æ1•”‘æ1Í THE MOTHER'S GRIEFA‘æ2Í HELEN'S KNIGHT-ERRANTRY ‚Ì•”•ª‚ðŠ¿–óB
@‚‚¬‚Ìì•iW‚ÉŽû˜^B
@MRS. HENRY WOODgTHE LOST BANK NOTE: AND, MARTYN WARE'S TEMPTATIONhPHILADELPIA: T. B. PETERSON & BROTHERS, 1863B
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2026.2.19
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0869–@—ŽtˆùŒ•‹L@14Í@i‰pj•zŽi”’’˜@—Ñ紓A’‰Ɨٖó@ãŠCE¤–±ˆó‘ŠÙ1917.7^1920.8Ä”Å à•”‘p‘3=29
@GUY NEWELL BOOTHBYgA BRIGHTON TRAGEDY"1905

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FGUY BOOTHBYgA BRIGHTON TRAGEDYhLONDON: GEORGE BELL & SONS. 1905



@@



2026.2.18
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@N0009–@\”j›Ä@i‹r–{V–ój@i‰pjEŒ€‰ÆšŽŒ´’˜@—ΈߗŽmA—âi’ÂŒiŠØj–ó@w¬àŽž•ñx16-22Šú@1912.7.26-1914.5.15
@GEORGE BERNARD SHAW’˜i”Ñ’Ë—ejŒ´ì‚̓o[ƒi[ƒhEƒVƒ‡[u‰^–½‚Ìlv

@©’FBERNARD SHAWgTHE MAN OF DESTINYhigPLAYS: PLEASANT AND UNPLEASANThTHE SECOND VOLUME, CONTAINING THE FOUR PLEASANT PLAYS, LONDON: GRANT RICHARDS, 1898 ŠŽûj



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2026.2.17
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@M1531–@–Ù i‹õŒ¾j@i”üjˆŸ—Ïš± iŽüjìl–ó@‰ïŒmŽüŽŒZ’íiŽüŽ÷lE˜DvAŽüìljŽ[–ówˆæŠO¬àWx‘æ‚Qû “Œ‹ž_“cˆóüŠˆóü ŒÈ“Ñ6.11(1909.7.27)
@EDGAR ALLAN POEgSILENCE|A FABLEh1837BŒ´‘èuŽâ”™v

@©’FEDGAR ALLAN POEgSIOPE.A FABLEhigTALES OF THE GROTESQUE AND ARABESQUEhVOL.2, PHILADELPHIA: LEA AND BLANCHARD, 1840 ŠŽûj
@‚È‚¨ãŠCEŒQ‰v‘ŽÐ1921”N”łɂ͎Ÿ‚̂悤‚Èà–¾‚ª‚ ‚è‚Ü‚·Bu—LŽ©•Ò¬•iW“ñûʼnÀAˆê–¼u_”é—^‹ó‘z”VŒÌŽ–Av‘«ˆÈ„Œ©‘´“à—eááBu–Ùv‘¦Ÿ’†”Vˆêv



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2026.2.16
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@‡@M1462–@–͔͉ƒë iŒ´–¼THE CHANNINGS)@i‰pjMRS. HENRY WOODi‰×“Áj’˜ ’ŠϚó•ÒŽ[ úÂŽ÷珏Z’ù@ãŠCE¤–±ˆó‘ŠÙ1919.1^1920.8Ä”Å à•”‘p‘3=54
@MRS. HENRY WOODgTHE CHANNINGSh1862

@©’FVOL.1, LONDON: RICHARD BENTLEY, 1862BŒ´ì‘æ1û‘S20Í‚ðŠ¿–ó

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@‡AM1465–@–͔͉ƒ둱•Ò 2Šª ㉺û@i‰pj‹œ—˜Š¢“Á—Žm’˜ ’ŠϚó–ó@ãŠCE¤–±ˆó‘ŠÙ1919.5^1921.1Ä”Å à•”‘p‘3=66
@MRS. HENRY WOODgTHE CHANNINGSh1862

@©’FVOL.2, LONDON: RICHARD BENTLEY, 1862BŒ´ì‘æ2û‘S20Í‚ðŠ¿–óB‘æ3û‘S20͖͂¢–ó



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2026.2.15
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J2222–@ŒR–ðŠï’k@i‰pj’E”nŽz‰Á‘×’˜ “©‹©’U–ó@ãŠCE¬à—ÑŽÐ1904.7 ¬à—Ñi‘p‘j
@THOMAS CARTERgMEDALS OF THE BRITISH ARMYh1861‚ł͂Ȃ³‚»‚¤B“¯ŽìgCURIOSITIES OF WARh1871 ‚©

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@©’FTHOMAS CARTERgCURIOSITIES OF WAR AND MILITARY STUDIES: ANECDOTAL, DESCRIPTIVE, AND STATISTICALhLONDON: GROOMBRIDGE & SONS, 1860B
@‰p‘—¤ŒRŽQ–d‘’·ƒg[ƒ}ƒXAƒJ[ƒ^Ž’˜AŽÄ“c˜Z˜YŒN–óqwŒR–ðŠï’k CURIOSITIES OF WARx‹¤‰h“°1899.1.13B‘—§‘‰ï}‘ŠÙƒfƒWƒ^ƒ‹ƒRƒŒƒNƒVƒ‡ƒ“



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2026.2.14
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J1705–@儆¢–¼Œ¾@i”üj”Ô“ÁŽŒúHENRY VAN DYKE’˜ —ºŠyŒŽAå͋ʉp–ó@LŠw‰ï1914
@HENRY VAN DYKE’˜ LAURA M. WHITE–ó

@©’FHENRY VAN DYKEgTHE FIRST CHRISTMAS TREEhNEW YORK: CHARLES SCRIBNER'S SONS, 1897 ‚ðŠÜ‚ÞB
@‘æˆêè÷¹’aŽ÷ THE FIRST CHRISTMAS TREEA
@‘æŽl”ŽŽm“` THE OTHER WISE MANA
@ޏ˜H¬›w THE LOST BOYA
@ˆó“xl“½‰…”Vˆâ“Å RIPENING OF THE FRUITA
@ŸÉ“D‹õŒ¾ A HANDFUL OF CLAYi“A\‰ØjA
@‹ŽŽ×‹A³ COUNTERSIGN OF THE CRADLEA
@–²Ÿà“V“° THE MANSIONA
@–Y‹L—¹—¼ŒÂŽš THE LOST WORDA
@“VŽg„‰{¢ŠE‰Ì POEM-THE THREE QUESTIONS



@@



2026.2.13
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@J1221–@‹àŽÔ@i’£j•ÉŒæ–ó@w¬àŒŽ•ñx11Šª8† 1920.8.25

@©’FARTHUR B. REEVEgTHE TREASURE-TRAINhigTHE TREASURE-TRAINhNEW YORK AND LONDON: HARPER & BROTHERS, 1917 ŠŽûjPROFESSOR CRAIG KENNEDY ‚à‚Ì



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2026.2.12
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H0492–@D’jŽ™•s“–”@¥–ë iŒRl¬àj@iŽüj‘‰êC–ó@w—ç”q˜Zx45Šú 1915.4.10

@©’Fiƒtƒ‰ƒ“ƒXjF.(FRÉDÉRIC) SOULIÉ ìA‰p–óŽÒ•s‹LgA TEN-YEAR-OLD SAPPER, A TALE FOR YOUNG PEOPLEhigTHE STRAND MAGAZINEhV.21 N.124, 1901.4j



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2026.2.11
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@G1274–@‹S–¹@”’äÊ@wVŒ€ŽGŽx2Šú 1914.7.1
@–󉨷“Úii”üjWASHINGTON IRVINGj•M‹L

@©’F”Å–{‚Ì1—áBWASHINGTON IRVINGgTHE SPECTRE BRIDEGROOMhigTHE SKETCH BOOK OF GEOFFREY CRAYON, GENThLONDON: JOHN MURRAY, 1822 ŠŽûj



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2026.2.10
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@G0528–@ŒÇŽm‰e@i‰pjàó—ÑŽ—…•Ÿ’˜@ŽœI–ó@w¬àŒŽ•ñx4Šª9-12†@1913.12.25-1914.3.25
@[’£Ž¡1709]FRANCIS MARION CRAWFORDgDOCTOR CLAUDIUS, A TRUE STORYh1883.

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FF. MARION CRAWFORDgDOCTOR CLAUDIUS, A TRUE STORYhLONDON AND NEW YORK: MACMILLAN AND CO., 1889



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2026.2.9
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@F0875–@•¤—…˜AŽz i”ߌ€ ˆê–‹j@i‰pj‰¤Ž¢“¿’˜ ’Â嘏–ó@wV”Nx2Šª1-3† 1916.9.1-11.1 @OSCAR WILDE’˜@i”Ñ’Ë—ejuŒ´ì‚̓ƒCƒ‹ƒhuƒtƒBƒŒƒ“ƒcƒF‚̔ߌ€vv

@©’FOSCAR WILDEgA FLORENTINE TRAGEDYhBOSTON AND LONDON: JOHN W. LUCE & COMPANY, 1908


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2026.2.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

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@P0231–@•Y•z“D i•ŸŽ¢–€Žz’ã’TˆÄ”Vˆêj@˜@S–ó@w‰ŽGŽx1914?1915?ÏÏ
@CONAN DOYLEBARTHUR CONAN DOYLEgTHE ADVENTURE OF THE ENGINEER'S THUMBh1892.3

@Œ´‘èuTHE ENGINEER'S THUMB ‹ZŽt‚ÌeŽwv‚ÍŠ¿–ó‚Å‚Íu‘ådŽwvu‹@Žt”VŽwvuC‹@’fŽwˆÄv‚ȂǂƂ³‚ê‚Ü‚·B‚»‚ê‚ç‚Æ‚͈قȂé•W‘èu•Y•z“Dv‚Å‚·B
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2026.2.7
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@S1767–@Žº“à@i”äj”~“Á—ÑŽ’˜ i’¾jŠå™u–ó@wŠw¶ŽGŽx7Šª8† 1920.8.5
@MAURICE MAETERLINCK’˜

@©’FMAURICE MAETERLINCK ìAWILLIAM ARCHER ‰p–ógINTERIORhigALLADINE AND PALOMIDES, INTERIOR, AND THE DEATH OF TINTAGILES; THREE LITTLE DRAMAS FOR MARIONETTES h LONDON: DUCKWORTH & CO., 1899 ŠŽûj



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2026.2.6
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@L0819–@—HŠw¶ÝZ‹L@i‰ÈŠw¬àj@i’¾jŠå™uA‘ò–¯@wŠw¶ŽGŽx7Šª7Šú-8Šª2Šú@1920.7.5-1921.2.5
@iŽO–LjA. RUSSELL BOND (1876-1937) gTHE SCIENTIFIC AMERICAN BOY AT SCHOOL"i1910. SCIENTIFIC AMERICAN BOY SERIES ‘æ2•”j

@o”ŎЂȂǂ̕⑫‚Å‚·B
@©’FA(LEXANDER) RUSSELL BONDgTHE SCIENTIFIC AMERICAN BOY AT SCHOOLhNEW YORK: MUNN & CO., INC., 1910



@@



2026.2.5
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@H2826–@ŠˆŽr@i‰âj‚k. ‘Žz‘×’˜ i’¾jŠå™u–ó@wŠw¶ŽGŽx7Šª1-6† 1920.1.5-6.5
@TOLSTOIgTHE MAN WHO WAS DEADhAŒ€

@©’FLEO TOLSTOY ìAHAGBERG WRIGHT •ÒgTHE MAN WHO WAS DEADhigTHE MAN WHO WAS DEAD (THE LIVING CORPSE), THE CAUSE OF IT ALL; DRAMAShNEW YORK: DODD, MEAD AND COMPANY, 1912 ŠŽûj



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2026.2.4
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2026.2.3
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2026.2.2
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2026.2.1
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2026.1.31
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2026.1.30
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2026.1.28
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2026.1.27
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2026.1.25
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2026.1.24
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2026.1.20
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2026.1.19
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2026.1.18
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2026.1.17
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2026.1.16
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2026.1.15
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@J1879–@‹ã\ŽO”N@i–@‘Šv–½¬àj@㉺û@i–@jš‰â’˜@‘\žõi–Оõj–ó@ãŠCE—L³‘‹Ç1913.10 @VICTOR HUGOgQUATREVINGT-TREIZEh1874

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@©’FVICTOR HUGOgQUATREVINGT-TREIZEhPARIS: MICHEL LÉVY FRÈRES, ÉDITEURS, 1874



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2026.1.14
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@©’FVICTOR HUGOgHERNANI/ ED. WITH INTRODUCTION, AND CRITICAL AND EXPLANATORY NOTES BY JOHN E. MATZKEhBOSTON, MASS.: D. C. AND CO., 1891



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2026.1.13
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2026.1.12
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2026.1.11
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@©’FVICTOR HUGOgRUY BLAShBOSTON, NEW YORK, CHICAGO: D. C. HEATH & CO., 1894



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2026.1.10
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B
@ƒtƒ‰ƒ“ƒXŒêŒ´ì‚ÍgLA ESMERALDAh‚ðŠÜ‚Þ3ì•i‚ðŽû˜^‚µ‚Ä‚¢‚Ü‚·B‚²’ˆÓ‚­‚¾‚³‚¢B

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@©’FVICTOR HUGOgLA ESMERALDAhigLA ESMERALDA ; RUY BLAS ; LES BURGRAVEShPARIS: FURNE, 1844 ŠŽûj






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2026.1.9
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2026.1.8
@Š¿–ó‚ÌŒ´ì‚ɂ‚¢‚Ä‚¨’m‚点‚µ‚Ü‚·B

@G0541–@ŒÇ¯—Ü i“vŽu¬àj 2Šª ㉺û@¤–±ˆó‘ŠÙ•Ò@ãŠCE¤–±ˆó‘ŠÙ ’š–¢6.12(1907.7.21)^1915.10.25Ä”Å à•”‘p‘2=53
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‘æ‚QÍ©‘æ‚QŠª THE FALL ‘S13Í
‘æ‚RÍ©‘æ‚RŠª IN THE YEAR 1817 ‘S9Í
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‘æ‚TÍ©‘æ‚TŠª THE DESCENT ‘æ1-5Í
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‘æ‚WÍ©‘æ‚VŠª THE CHAMPMATHIEU AFFAIR ‘æ1-5Í
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‘æ10Í©‘æ‚WŠª A COUNTER-BLOW ‘S5Í
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‘æ14Í©‘æ‚RŠª ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN ‘æ9-11Í
‘æ15Í©‘æ‚SŠª THE GORBEAU HOVEL ‘S5Í
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‘æ21Í©‘æ‚TŠª THE EXCELLENCE OF MISFORTUNE ‘æ5Íi‘æ6ÍÈ—ªj
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‘æ27Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ20Í“r’†
‘æ28Í©‘æ‚WŠª THE WICKED POOR MAN ‘æ20Í“r’†-21Íi‘æ22ÍÈ—ªj
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‘æ29Í©‘æ‚PŠª A FEW PAGES OF HISTORY ‘æ1-4͈³kA‘æ5Í“r’†-6Í
‘æ30Í©‘æ‚QŠª E/}PONINE ‘æ1-2Íi‘æ3ÍÈ—ªjA‘æ4Í
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‘æ32Í©‘æ‚RŠª THE HOUSE IN THE RUE PLUMET ‘æ7-8Í
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‘æ33Í©‘æ‚TŠª THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING ‘æ1Íi‘æ2ÍÈ—ªj
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‘æ38Í©‘æ10Šª THE 5TH OF JUNE, 1832 i‘æ1-2ÍÈ—ªj
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@@@@i‘æ12Šª CORINTHE ‘æ1-2ÍÈ—ªj
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@@@@‘æ‚RŠª MUD BUT THE SOUL ‘æ1Í
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‘æ49Í©‘æ‚UŠª THE SLEEPLESS NIGHT ‘æ3-4Í
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2026.1.7
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2026.1.6
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